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The History of Frame Rate for Film
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The History of Frame Rate for Film

Please consider supporting us on Patreon: https://www.patreon.com/FilmmakerIQ Explore the history of the frame rate – the engine that gives motion to the motion picture from their earliest versions in silent pictures to the frame rates of broadcast television. Take the full Filmmaker IQ course on Frame Rate with sauce and bonus material at: https://filmmakeriq.com/courses/history-frame-rate-film/ If […]
John P. Hess
camerainternal-1

When It’s Time to Look Beyond the DSLR

I started my career before you could capture video on DSLRs. Right out of business school, I started shooting local cable commercials first on a 1/3rd inch chip Sony PD150 at the tail end of the “DV revolution” before graduated to an HDV Sony Z100 and then making my way to full HD 1/2 inch […]
John P. Hess
Making of COSMOS

COSMOS – How I Made a No-Budget Sci-Fi Movie

If you’re a filmmaker like me, you’ve always dreamed of directing your own full length feature – finally writing that burning story and taking it from script to screen. But for independent filmmakers like us, that feature debut is the greatest creative challenge we’ll ever face… I know this, because I’ve just done it. My […]
John P. Hess
A 24fps Filmmaker Reacts to Gemini Man in 120fps
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11:44

A 24fps Filmmaker Reacts to Gemini Man in 120fps

I forced myself to watch Gemini Man in High Frame rate 120fps and then again in 24fps
John P. Hess
Light Tip Shoot the Fill Side
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Lighting Tip: Shoot the Fill Side (Just One Thing)

In this quick “Just One Thing” we cover Shooting the Fill Side or the technical term SHORT LIGHTING and how its a very useful starting point when thinking about how to light a subject.
John P. Hess
DIY Inline Dimmer Cable Switch (Lighting)
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DIY Inline Dimmer Cable Switch (Lighting)

Please consider supporting us on Patreon: https://www.patreon.com/FilmmakerIQ John Hess demonstrates how to wire up an inline dimmer to help control the strength of your lights. Keep in mind that most lights “warm up” when you dim them and unless a CFL says it’s dimmable, you’ll have weird results when dimming those bulbs. As always with […]
John P. Hess
T’was the Night Before Christmas
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T’was the Night Before Christmas

T’was the Night Before Christmas – a Sneak Peak of the big things to come on Filmmaker IQ in 2017. Merry Christmas and have a Cinematic New Year.
John P. Hess
Cutting it as an Editor in Hollywood | Film Jobs with Lawrence Jordan ACE
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Cutting it as an Editor in Hollywood | Film Jobs with Lawrence Jordan ACE

Please consider supporting Filmmaker IQ by becoming a patron on http://Patreon.com/FilmmakerIQ Announcing our brand new show FIlm Jobs – where we sit down with industry professionals and talk about how they got where they are and how you can get your foot in the door of the motion picture industry. In this episode we talk […]
John P. Hess
Pubcast! March Night Shift
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01:43:14

Pubcast! March Night Shift

Come Join us for a hangout and talk about what’s new in our bimonthly Pubcast
John P. Hess
Pubcast! Unlocking Netflix’s Locke & Key
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01:11:59

Pubcast! Unlocking Netflix’s Locke & Key

We got Harley Quinn and Sonic on Deck and we’ll go over some of the big movies that came out of Oscar Season
John P. Hess
The Basics of Setting a Multicamera Stream
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The Basics of Setting a Multicamera Stream

Become a supporter on Patreon! http://www.patreon.com/FilmmakerIQ New to the world of multicamera live streaming – here’s a run down of all the elements you have to think about and pull together to create a successful multicamera live stream. Thanks to Hollyland Mars 400s for supplying products for this video. Pick up your Hollyland Mars 400S […]
John P. Hess
The History and Science of the Slit Scan Effect used in Stanley Kubrick’s 2001: A Space Odyssey
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The History and Science of the Slit Scan Effect used in Stanley Kubrick’s 2001: A Space Odyssey

Please consider supporting us on Patreon: https://www.patreon.com/FilmmakerIQ Explore the mysterious and forgotten technique of Slit Scan for special effects and how Douglas Trumbull applied the photographic technique to Stanley Kubrick’s masterpiece, “2001: A Space Odyssey”. Then we’ll do our best to recreate the effect using LEGO.
John P. Hess
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