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The History of Frame Rate for Film
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The History of Frame Rate for Film

Please consider supporting us on Patreon: https://www.patreon.com/FilmmakerIQ Explore the history of the frame rate – the engine that gives motion to the motion picture from their earliest versions in silent pictures to the frame rates of broadcast television. Take the full Filmmaker IQ course on Frame Rate with sauce and bonus material at: https://filmmakeriq.com/courses/history-frame-rate-film/ If […]
John P. Hess
Addendum! The One Frame Trick (Now Rectified for YouTube)
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Addendum! The One Frame Trick (Now Rectified for YouTube)

In filmmaking the saying goes, the person who really decides how your movie will look is the projectionist. On the Internet, apparently it’s YouTube. And because of that I felt compelled to revisit this topic and address some points brought up in the comments from the previous “Just One Thing” video: https://www.youtube.com/watch?v=7E_mi_xNYOk Help support this […]
John P. Hess
Introduction to Foley and Sound Effects for Film
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Introduction to Foley and Sound Effects for Film

Please consider supporting us on Patreon: https://www.patreon.com/FilmmakerIQ Take the full Filmmaker IQ course on Foley and Sound Effects with sauce and bonus material and submit your very own Foley Film Lab at: https://filmmakeriq.com/courses/introduction-foley-sound-effects/ Very little of what you hear in the movies is real – in this lab we take a look at the art […]
John P. Hess
Introduction to Automated Dialogue Replacement (ADR)
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Introduction to Automated Dialogue Replacement (ADR)

Please consider supporting us on Patreon: https://www.patreon.com/FilmmakerIQ Take the full Filmmaker IQ course on the Automated Dialogue Replacement with sauce and bonus material: https://filmmakeriq.com/courses/introduction-automated-dialogue-replacement/ Sometimes it’s just not possible to get clean dialogue on set – that’s when ADR comes into play. In this course we’ll look at the history of ADR or looping and […]
John P. Hess
Why Yellow Is So Common for TV Graphics
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Why Yellow Is So Common for TV Graphics

Yellow! It’s everywhere especially in television graphics. But why? Well let’s seriously overthink it and explore some color theory concepts on why this color is the king of graphics color.
John P. Hess
The Fundamentals of Sound in Post Production
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The Fundamentals of Sound in Post Production

Please consider supporting us on Patreon: https://www.patreon.com/FilmmakerIQ Take the full Filmmaker IQ course on Sound in Post Production with sauce and bonus materials at: https://filmmakeriq.com/courses/fundamentals-sound-post-production/ It’s time to open up the digital audio workstation and look at the basics of common tools used in post production audio from Equalizers, Compressors, Noise Reduction, and Delay effects. […]
John P. Hess
Hollywood’s History of Faking It | The Evolution of Greenscreen Compositing
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Hollywood’s History of Faking It | The Evolution of Greenscreen Compositing

Please consider supporting us on Patreon: https://www.patreon.com/FilmmakerIQ Go inside the history of the travelling mattes (now called chromakey) and learn the history of visual trickery used by filmmakers from the earliest filmmakers through to the modern day.
John P. Hess
Pulling a Green Key with Something Green in the Shot (AE Tutorial)
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Pulling a Green Key with Something Green in the Shot (AE Tutorial)

Your greenscreen footage has something green in it? Well it’s not a complete death sentence – as long as it’s not identical to the green screen color you may be able to tease it out using the Screen Balance properties of After Effects’ Keylight – John Hess walks through the steps in this “Just One […]
John P. Hess
5 Elements of Great Chromakey
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5 Elements of Great Chromakey

Please consider supporting us on Patreon: https://www.patreon.com/FilmmakerIQ Explore the 5 crucial elements of capturing a great chromakey for your production from space, screen, lighting, camera and post and try your hand at chromakey with a Reporter on the Street Short film.
John P. Hess
Editing to the Beat – the One Frame Trick
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Editing to the Beat – the One Frame Trick

In this installment of “Just One Thing” I talk about a neat editing trick of forcing the cut one frame ahead of the beat to create a more natural feeling cut when cutting to the beat. Help support this channel on Patreon! https://www.patreon.com/FilmmakerIQ
John P. Hess
The Journey to Non-Linear Editing (Part 2)
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The Journey to Non-Linear Editing (Part 2)

Please consider supporting us on Patreon: https://www.patreon.com/FilmmakerIQ Explore the history of editing software from computer scientists, mathematicians and programmers as we explore the advancements made to editing from the Digital Revolution.
John P. Hess
Cutting it as an Editor in Hollywood | Film Jobs with Lawrence Jordan ACE
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Cutting it as an Editor in Hollywood | Film Jobs with Lawrence Jordan ACE

Please consider supporting Filmmaker IQ by becoming a patron on http://Patreon.com/FilmmakerIQ Announcing our brand new show FIlm Jobs – where we sit down with industry professionals and talk about how they got where they are and how you can get your foot in the door of the motion picture industry. In this episode we talk […]
John P. Hess
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