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Voicing for the Background | Film Jobs with Loop Group West
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Voicing for the Background | Film Jobs with Loop Group West

Please consider supporting Filmmaker IQ by becoming a patron on http://Patreon.com/FilmmakerIQ On set, the background actors are suppose to stay silent. But watching a scene take place in a silent restaurant or club isn’t very realistic.. that’s when you call in a Loop Group. Anita Kalathara and Wolfie Trausch of Loop Group West explain what […]
John P. Hess
The Fundamental Elements of Film Music
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The Fundamental Elements of Film Music

Please consider supporting us on Patreon: https://www.patreon.com/FilmmakerIQ Take the full Filmmaker IQ course on the Fundamental Elemetns of Music with sauce and bonus material: https://filmmakeriq.com/courses/fundamental-elements-music/ Explore the role of music in film from it’s importance in silent film to the elements and tools that modern composers use to create music for the silver screen. See […]
John P. Hess
Introduction to Foley and Sound Effects for Film
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Introduction to Foley and Sound Effects for Film

Please consider supporting us on Patreon: https://www.patreon.com/FilmmakerIQ Take the full Filmmaker IQ course on Foley and Sound Effects with sauce and bonus material and submit your very own Foley Film Lab at: https://filmmakeriq.com/courses/introduction-foley-sound-effects/ Very little of what you hear in the movies is real – in this lab we take a look at the art […]
John P. Hess
Introduction to Automated Dialogue Replacement (ADR)
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Introduction to Automated Dialogue Replacement (ADR)

Please consider supporting us on Patreon: https://www.patreon.com/FilmmakerIQ Take the full Filmmaker IQ course on the Automated Dialogue Replacement with sauce and bonus material: https://filmmakeriq.com/courses/introduction-automated-dialogue-replacement/ Sometimes it’s just not possible to get clean dialogue on set – that’s when ADR comes into play. In this course we’ll look at the history of ADR or looping and […]
John P. Hess
The Fundamentals of Sound in Post Production
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The Fundamentals of Sound in Post Production

Please consider supporting us on Patreon: https://www.patreon.com/FilmmakerIQ Take the full Filmmaker IQ course on Sound in Post Production with sauce and bonus materials at: https://filmmakeriq.com/courses/fundamentals-sound-post-production/ It’s time to open up the digital audio workstation and look at the basics of common tools used in post production audio from Equalizers, Compressors, Noise Reduction, and Delay effects. […]
John P. Hess
The Basics of Recording Audio for Digital Video
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The Basics of Recording Audio for Digital Video

Please consider supporting us on Patreon: https://www.patreon.com/FilmmakerIQ Take the full Filmmaker IQ course on The Basics of Recording Audio for Digital Video with sauce and bonus material at: https://filmmakeriq.com/courses/basics-recording-audio-digital-video/ Dive into the details of the audio signal chain as we define the different components needed when recording on set for digital video. If you have […]
John P. Hess
The History of Sound at the Movies
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The History of Sound at the Movies

Please consider supporting us on Patreon: https://www.patreon.com/FilmmakerIQ Take the full Filmmaker IQ course on the History of Sound at the movies with sauce and bonus material at: https://filmmakeriq.com/courses/history-sound-movies/ The inclusion of sound at the movies was one of the most dramatic changes in all of film history. Dive into the early experiments of Edison trying […]
John P. Hess
Optimal Sampling Rate YT Rectified
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What is the Optimal Sampling Rate for Audio? (It’s All About the Aliasing)

Honestly, I don’t actually answer the question in the video. I give some reasons why some engineers say it’s 60 kHz – but that’s about it. What I do cover is Aliasing spurred on by a very interesting question about being the hear the difference between Sine Waves and Square Waves. Sorry for all the […]
John P. Hess
Why Recording with 32 Bit Float is Cool but Totally Unneccessary
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Why You Don’t Need to Record in 32 Bit Float….

They say recording 32 bit floating point is a game changer – but that’s only if you didn’t know how to play the game in the first place. I’m not saying it’s not cool but your old 24 bit recorder is plenty capable and I’ll show you how. *** Error – I said 2^32 is […]
John P. Hess
Hollyland Lark Max Review
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Hollyland Lark Max Review

Hollyland sent over their Lark Max for me to review! It’s a great little two transmitter wireless package that I’ve found a whole lot of different uses for. If you’re in the market for a wireless microphone use my affiliate link below to pick up your own Hollyland Lark Max: https://amzn.to/49Z2gPq Hollyland Lavs (pair) https://amzn.to/4a1r2OP […]
John P. Hess
The Surprising Origins of Digital Audio Sampling Rates
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The Surprising Origins of Digital Audio Sampling Rates

John P. Hess
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