Wes Anderson

Symmetry in Wes Anderson’s Editing

Max Tohline examines the symmetry in a scene from The Grand Budapest Hotel. The more films Wes Anderson directs, the more tightly structured and precise each aspect of his style becomes. He’s long favored neat centering and symmetry in his compositions (as shown in this oft-viewed Staff Pick supercut: Recently on rewatching The Grand Budapest Hotel, Read MoreRead More

Wes Anderson’s Colour Palettes

Take a look at the retro color palette of the auteur filmmaker: Wes Anderson. The fictional worlds evoked in film by director Wes Anderson have such a precise colouration – the very particular pastel-hues that paint the skies, drench the buildings and dress the characters, render Anderson’s microcosms almost dream-like. The hazy-hued lens through which Read MoreRead More

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