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Pages from the Official Star Trek Writers’ Guide, 1967

Take a look at a few pages from the original guide from 1967 explaining how each Star Trek episode was to be written: These excerpts from a 31-page photocopied writers’ guide for the original Star Trek series show how early Trek episodes were crafted. The guide, written in 1967, was meant to help writers for the year-old show—as well as Read MoreRead More

Behind the Lens: Game of Thrones with Anette Haellmigk

Anett Haellmigk speaks to Creative COW about her path as a pioneering female cinematographer and her work on Game of Thrones. Game of Thrones came to me through director Alex Graves, with whom I’ve worked for 17 years. In Spring of 2012, when we were doing the 666 pilot together, he told me Game of Thrones had approached him to Read MoreRead More

Why a Failed Pilot Actually Means Success

Noah Hawley, creator of “My Generation,” reveals the open secret of pilot season for writers: “In TV, there’s no stigma to failure.” The pilot writer in January, like Schrodinger’s cat, is alive and dead at the same time. As Feb. 1 approaches, sleep becomes fitful, your mind split between equally likely scenarios. Either 1) the Read MoreRead More

The Two Types of TV Stories

EriK Bork distinguishes between two types of TV tomes: the workplace procedural and the personal story. I used to lament the fact that so many network series focus on cops, lawyers, and/or doctors. I tried pitching and developing multiple series about other kinds of workplaces. I felt, like many aspiring television writers do, that there Read MoreRead More

Television’s Future Has a Social Media Soundtrack

Deb Roy explores the notion that our television watching behaviors are now being colored by tweets and facebook updates. When movies were first introduced in the late 1800′s, they were silent. Three decades later, the invention of synchronized soundtracks satisfied our natural desire to hear what is seen. Soundtracks unleashed a wave of creativity in Read MoreRead More

How a ‘New Girl’ script gets made: From outline to final cut on ‘TinFinity’

How does the Zooey Deschanel vehicle come into Fruition? Alan Sepinwell tracks writers Kim Rosenstock and Josh Malmuth as they create an episode. “You must think we’re such dummies,” an exasperated J.J. Philbin tells me. This is somewhere in the fourth of five hours I’ll spend at the writers offices of “New Girl” late on a Friday afternoon in Read MoreRead More

Tropfest NY 2013

Why Write for Kids?

Motti Aviram works in the Israeli children’s television industry – here he makes a case for getting involved with Children’s Programming In the early eighties and again in the nineties, there was a significant jump in the production of movies for children and families.  These days, you can expect an average of about 25 Hollywood films to Read MoreRead More

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