In this video Guerilla Bill shows you the easy way to edit any portion of audio within your Sony Vegas and Movie Studio Projects. Add effects, remove vocals, use the audio editor.Read More
The SoundWorks Collection pulls back the curtain on the talented Imagineers who are responsible for the sounds and music of the Walt Disney theme park properties.Read More
Audition has been the king of noise reduction ever since its introduction from Adobe but sometimes cleaning up noise can be difficult when the background noise overwhelms the foreground audio. If you’ve ever experienced one of these problematic files where removing the noise introduces other artifacts like a “burbly background”, then this video will help you understand powerful settings like Spectral Decay Rate and Smoothing that help control those artifacts and just remove the noise. Read More
Director David Yates returns to direct his fourth Harry Potter film and returns with his talented sound team including Re-recording mixers Stuart Hilliker and Mike Dawson, Supervising Music Editor Gerard McCann, Supervising Sound Editor James Mather, and Sound Designer Dom Gibbs.Read More
Director Michael Bay and Producer Steven Spielberg return this summer for the third film in the Transformers franchise, Tranformers: Dark of the Moon. The amazing visual effects in this film are complimented by the talented efforts of the sound team including Re-recording Mixers Greg Russell and Jeff Haboush, and Supervising Sound Editor and Sound Designers Ethan Van der Ryn, and Erik Aadahl.Read More
This tutorial shows how to calibrate your edit suite or home studio to 79db, a standard reference level for audio work for film and television.Read More
Marie Ebbing & Jonathon Stevens offer advanced noise removal services for music and film post production using a suite of tools by the software developer Algorithmix. These noise removal tools are divided into 2 categories, broadband — including surface noise, hiss & hum; and transient — including camera hydraulics, coughs, page turns and other instantaneous noises.Read More
Helping to bring to life the sound and music of John Lasseter’s “Cars 2″ Composer Michael Giacchino, Re-recording Mixer and Sound Designer Tom Myers, and Sound Effects Editor Al Nelson. Git-R-Done!Read More
Audio is one of the most important aspects of you film. Some may say it is even more important than video. Unfortunately if on a small budget you may not be able to afford for all the expensive equipment required for great sound. With that in mind, we created this list of25 DIY Audio Tutorials to help stretch that budget.Read More
From “The Empire Strikes Back” to “Robin Hood”, award-winning Foley artist Gary Hecker of Todd-AO says it takes “timing and a huge creative mind” to be the man behind the sound. Here, he shares tips and tricks he’s learned during a career that has spanned more than 200 films.Read More
n this 30-minute conversation, the SoundWorks Collection explore what it was like to capture these critically acclaimed performances by Colin Firth, Geoffrey Rush, and Helena Bonham Carter. Find out how specific scenes in the film were recorded, the challenges that came with the film’s short schedule, and what it takes to be a Production Sound Mixer. God Save the King!Read More
I’m sure many of you know about Dark Side of the Rainbow (also known as Dark Side of Oz or The Wizard of Floyd), It refers to the syncing of Pink Floyd’s The Dark Side of the Moon with The Wizard of Oz. This produces moments where the film and the album appear to correspond with each other. Read More
