This video entitled “Typography” by Ronnie Bruce is an animated version of a poem by Taylor Mali.Read More
Theme is perhaps the most powerful, yet least understood element of story structure. It is powerful because theme is an emotional argument: It speaks directly to the heart of the reader or audience. It is least understood because of its intangible nature, working behind the scenes, and between the lines.Read More
Question: I have completed my screenplay, but I never wrote a treatment. I met a producer who wants to see a treatment only. Some people say a treatment should be three pages long, some say 12. Any advice?Read More
For the last 30 years, screenwriting has been dominated by a mechanical approach to creating story. For example, the so-called “three-act structure” is really a mechanical imprint from the outside that is laid over the top of a story. Act breaks are completely arbitrary. They don’t actually exist in the story.Read More
Presented by the WGAW Publicity and Marketing Committee, this March 27, 2010 all-day seminar offered Writers Guild members tools to help them get online, promote their careers, raise their industry profiles, build their brands and distribute and monetize their work.
Time and time again, people come up to us and pitch ideas for movies and television. Everyone thinks their story needs to be told or that they’ve got the greatest idea since the invention of the iPhone. But it’s not just enough to have an idea.Read More
Instead of telling your friend what happened that day (really, she can wait), quickly synopsize your movie idea. Instead of texting gossip about that person you met in an elevator, create a piece of scene direction that might describe that person as they enter a movie scene. Instead of engaging in a cutesy I.M., write a “cute meet” between two characters.