RED Epic

Comparing the Blackmagic Production Camera 4K, Canon 1DC, and Red Epic

The Blackmagic Production Camera 4K has just started shipping and early adopters are starting to put them up against other 4K models. See some preliminary results on how this newest affordable 4K camera stacks up. When the first Blackmagic Camera with RAW capabilities was announced at an extremely competitive price it made a big impact on the Read MoreRead More

The RED Digital Workflow of “Hitchcock”

Shooting on RED Epics at Red Studios in LA, all the DIT work and dailies of the film “Hitchcock” were handled by one operator working on a cart that housed two 12 core Tower Macs fitted with three Red Rocket cards and 70 terabytes of hard drive space. While the film is both entertaining and Read MoreRead More

Revenge of the Great Camera Shootout Part 3

Zacuto concludes it’s epic shootout with Part 3 of their “Revenge of the Great Camera Shootout” this time showing off ungraded and empirically graded footage from this year’s line up of cameras.Read More

Color Grading Underwater Red EPIC Footage in After Effects

Dave with Realm Pictures talks us through the basics of color grading and why it is so important, especially with underwater footage. He then goes into a quick tutorial demonstrating some of the principles of coloring using After Effects.Read More

Battle of the High Resolution Vixens: Megan Fox v. Kate Beckinsale

Back in May, to the delight of drooling fan boys, Esquire magazine presented Megan Fox as shot by Greg Williams in 3k on a RED ONE camera. It was the first time Esquire’s cover was shot using a video camera. But not to be outdone, Greg Williams is back in October with Kate Beckinsale – Read MoreRead More