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You are browsing the archive for Pre-production.

Being an Independent Filmmaker is like Opening a Restaurant

Posted on August 31, 2010 in Contracts and Law, Financing, Producing | 1 Comment

Being a filmmaker is like starting your own business and you need to think of it that way. The role and responsibilities of a filmmaker can be abstract and over glamorized for many starting out. They only see the artistic or technical aspects, but when it comes to the business side they don’t have a clue.

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How to Get a Film Grant

Posted on August 20, 2010 in Financing | No Comments

Edet Belzberg explains the ins and outs of applying for grant funding for a documentary film.

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Filmmaking Tip: Storyboards

Posted on August 5, 2010 in Storyboarding | 1 Comment

Ben and Paul from Blunt Productions demonstrate the important process of storyboarding as a tool to plan your film.

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How YouTube thinks about copyright

Posted on August 3, 2010 in Contracts and Law, Internet, Legal & Copyright | 1 Comment

Margaret Gould Stewart, YouTube’s head of user experience, talks about how the ubiquitous video site works with copyright holders and creators to foster (at the best of times) a creative ecosystem where everybody wins.

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Urban Decay as Film Locations

Posted on July 26, 2010 in Location Scouting | 3 Comments

Urban Decay can be great locations for guerrilla filmmakers, but they don’t come without risks and challenges. This is an interview with David Horbach, talking about lost places and evaluating their pros and cons.

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Autodesk Sketchbook for iPad and iPhone Review

Posted on July 16, 2010 in Storyboarding | No Comments

Alan Natale of Tech Burrito demonstrates the Autodesk Sketchbook Pro for the iPad ($7.99 in the iTunes App Store). This could be a very useful tool not only for creating storyboards, but sharing them digitally and instantly with the entire crew. If I where Wacom, I think I would be a little nervous.

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5 Contract Tips for Filmmakers

Posted on July 16, 2010 in Contracts and Law, Selling Your Film | No Comments

For many filmmakers when it comes to contracts and other legal matters they are totally lost and negligent it, only to find out later that the damage caused by these missteps can’t be easily undone. Check this short list of things to watch out for created be The Independent.

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How much is your film worth?

Posted on July 16, 2010 in Budgeting, Financing, Selling Your Film | No Comments

What is my film worth? I meet many filmmakers at various stages of the fimmaking process, all of whom have varying approaches to the tricky question of valuing their films. Here are some typical scenarios…

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Guide to Creating an LLC for Your Independent Film

Posted on July 6, 2010 in Contracts and Law, Financing | 1 Comment

For many independent filmmakers, the LLC is the best choice for forming a film production company. It can be taxed as either a corporation or a partnership, and its operating agreement is more flexible than corporate bylaws for structuring the film company’s operations, but it limits personal liability as effectively as a corporation. Another advantage of the LLC and partnership forms is the ability to allocate gain, loss, deductions, and credits to participants in a way that maximizes their value to investors.

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Film Financing and Distribution Deals

Posted on June 15, 2010 in Financing, Selling Your Film | No Comments

Unlike other industries, the motion picture business presents a second type of financing sale in addition to the typical model of equity financing. It involves selling the film’s distribution rights. In this form of financing, the company sells its assets in exchange for a present or guaranteed payment.

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Social Media Set Management Issues

Posted on May 17, 2010 in Contracts and Law, General Production, Marketing | No Comments

By Jon M. Garon
Gallagher, Callahan & Gartrell, PC
The challenge for the film producer is that potential distributors may have different goals regarding the marketing of the project. If the pre-release campaign does not work, the failed marketing will add an additional impediment to the sale of the film. In essence, the independent producer needs two [...]

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Planning an Unscripted Documentary

Posted on May 3, 2010 in General Screenwriting, Producing | No Comments

How do you make a documentary when you have no script? I was faced with this problem when I shot my first unscripted documentary for a class in documentary filmmaking. We had the assignment of making an 8-12 minute unscripted documentary. I started by visiting a friend’s farm and shooting some footage. I quickly filled up 3 one-hour tapes.

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Copyright Basics for Musicians

Posted on May 3, 2010 in Contracts and Law, Music | No Comments

Copyright rules define much of the music business, shaping the practices that drive recording and touring deals. Washington understands the importance of the music business, passing and amending copyright laws to benefit and manage the music industry for well over a century.

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Taxi Driver Storyboards

Posted on April 29, 2010 in Storyboarding | No Comments

This video creates a split screen between the live action and the original storyboards used by Martin Scorsese to direct Taxi Driver.

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Script Clearance, Background Copyrights and Third-Party Ownership Rights

Posted on April 14, 2010 in Contracts and Law, Legal & Copyright, Marketing | No Comments

Although film is an expressive art form, it is also an increasingly international and highly commercial business. As a result, filmmakers should be very selective regarding choices to use a third party’s property—copyrighted works, trademarks, readily identified individual names or corporate names—without express permission. Permission is not always difficult to come by. Without the express permission, the errors and omissions insurance may be drafted to exclude any liability for the use of such content, and the lack of coverage may discourage distributors or exhibitors from buying or showing the work.

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