Davyd, A.I. Remix by Pogo
Posted on November 15, 2011 in Sound Design | No Comments
Nick Bertcke (AKA Pogo) created this remix titled Davyd, using voices, chords and sound effects from Spielberg’s ‘AI: Artificial Intelligence’.
Learn MorePosted on November 15, 2011 in Sound Design | No Comments
Nick Bertcke (AKA Pogo) created this remix titled Davyd, using voices, chords and sound effects from Spielberg’s ‘AI: Artificial Intelligence’.
Learn MorePosted on November 15, 2011 in Cinematography, Digital Effects | No Comments
Dave with Realm Pictures talks us through the basics of color grading and why it is so important, especially with underwater footage. He then goes into a quick tutorial demonstrating some of the principles of coloring using After Effects.
Learn MorePosted on November 14, 2011 in Music | 1 Comment
In this video Jarmusch discuses the importance of music in film and how he enlisted Neil Young to score his movie Dead Man. Some critics loved the score others hated it. What do you think?
Learn MorePosted on November 4, 2011 in Digital Effects, Editing | 2 Comments
In this fifteen part tutorial, Vimeo user Color Grading Central, takes us through the process of color grading in Apple’s Final Cut Pro X:
Learn MorePosted on November 3, 2011 in Editing | 2 Comments
“The Rule of Six,” lays out a set of criteria that Oscar-winning editor Walter Murch (Apocalypse Now, The English Patient) believes should be at the top of an editors list when working.
Learn MorePosted on November 2, 2011 in Editing | No Comments
Avid created a short film called Agent MX-Z3RO to use as demo material to market their products by giving behind-the-scenes insight into what it takes to make an independent movie. In this video producer, co-writer, and Avid marketing manager Tom Graham offers some editing advice.
Learn MorePosted on November 1, 2011 in Editing | 2 Comments
Walter Murch discusses Final Cut Pro X at the Boston SuperMeet, 2011. He talks about what it lacks, what he hopes for in the future and if Apple really loves us.
Learn MorePosted on October 27, 2011 in 3D Graphics, Effects and Stunts | No Comments
In this three part article for Forbes Magazine, Mark Hughes explores the details and challenges of 3d films with Dr Barry Sandrew whose company helped add dimension (at least in a spatial sense) to Alice in Wonderland, Transformers: Dark of the Moon, Green Lantern, Pirates of the Caribbean: On Stranger Tides, Conan the Barbarian, Priest, and The Smurfs.
Learn MorePosted on October 25, 2011 in Digital Effects | No Comments
Chris Meyer, one of the all time gurus of After Effects instruction, demonstrates the new Camera Lens Blur of Adobe After Effects CS5.5.
Learn MorePosted on October 20, 2011 in Audio, Music, Sound Design | 1 Comment
“Sound” is a short film on how sound connects us to the world, featuring musicians and sound experts Moby, Imogen Heap, and others. The video was created by the audio sharing platform SoundCloud.
Learn MorePosted on October 19, 2011 in Digital Effects | No Comments
In this video tutorial Alex Walker shows you how to export you edit out of Avid into After Effects without paying for expensive plugins.
Learn MorePosted on October 17, 2011 in Sound Design | No Comments
Vimeo user RHED Pixel explains the different ways to gain control over your audio in Adobe Premiere Pro CS5.5 – from normalizing peaks to using Premiere’s powerful Dynamics filter.
Learn MorePosted on October 17, 2011 in Digital Effects | No Comments
Daniel Gies gives an overview of amazing character animation in After Effects using FreeForm Pro, Cycore FX, Duik Tools and native AE Tools and expressions.
Learn MorePosted on October 12, 2011 in 3D Graphics | 2 Comments
RePro3D, developed by a research group at Keio University, is a multi-perspective, naked eye 3D display in which viewers can touch a 3D character floating in midair.
Learn MorePosted on October 11, 2011 in Digital Effects | No Comments
Something old, something new, something borrowed, something blue. In this QuickTip, Aharon Rabinowitz builds a beautiful blue Plasma Fireball effect with the help of a Torch preset created by Harry Frank for Red Giant People.
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