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J.J. Abrams

Editing for JJ Abrams: Interview with Mary Jo Markey and Maryann Brandon

Mary Jo Markey, A.C.E. and Maryann Brandon, A.C.E. talk with Creative COW and editing for JJ Abrams including their work on Star Trek Into Darkness and the upcoming addition to the Star Wars Franchise. Debra Kaufman: How did your relationship begin with J.J. Abrams? Mary Jo Markey: I actually started working with J.J. on the TV series Felicity. Read MoreRead More

J.J. Abrams and Jon Stewart talk “Star Trek” and “Star Wars”

J.J. Abrams spent some time on Jon Stewart’s Daily Show to talk about his upcoming projects as well as giving Jon a little advice on his upcoming directing gig. The Daily Show with Jon Stewart Get More: Daily Show Full Episodes,Indecision Political Humor,The Daily Show on Facebook The Daily Show with Jon Stewart Get More: Read MoreRead More

Playboy Interviews J.J. Abrams

Playboy Contributing Editor David Hochman interviews J.J. Abrams just after his Star Wars announcement about all things Science Fiction. And yes friends, you are going reading Playboy for the articles. PLAYBOY: Let’s begin with Star TrPLAYBOY: Let’s begin with Star Trek. How the hell can this franchise still go where no man has gone before? ABRAMS: Well, I Read MoreRead More

10 TED Talks for Filmmakers

This collection of 10 TED Talks for filmmakers includes, Rob Legato on special effects, Kirby Ferguson on Remix, Andrew Stanton on story, JJ Abrams, James Cameron, Elizabeth Gilbert on tapping your inner genius, Kevin Allocca on why YouTube videso go Viral, Amy Tan on Creativity, Tiffany Shlain on Crowd source Filmmaking, and Erik Johansson on Read MoreRead More

“The 8mm Revolution” – SUPER 8 Movie Featurette

This piece off JJ Abrams’ SUPER 8 Movie Blu-Ray highlights the magic of the beloved 8mm/Super 8mm film formats. It discusses the history of the format, how it impacted the lives of the filmmakers, and how it is still a thriving format today. Shot and directed by M. David Melvin. Telecine, edit, color and VFX by Cinelicious.Read More

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