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12 New Effects in Adobe After Effects CS6

Posted on May 23, 2012 in Digital Effects, Editing | No Comments

Review some of the fun new effects available in AE CS6 including the Cycore HD effects and other built in plug-ins. Along the way, you’ll discover why updating many of these effects to 32-bit in this version of After Effects is so important.

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Get Editing Quickly with Premiere CS6

Posted on May 22, 2012 in Editing | 1 Comment

This lesson provides new editors with an overview of the editing process in Premiere Pro. A lot of this video applies to previous versions of Premiere as well.

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Color Grading and finishing in Premiere Pro CS5.5

Posted on April 17, 2012 in Digital Effects, Editing | 3 Comments

This video tutorial, by Jarle Leirpoll, teaches how to do primary, secondary and some pretty advanced color correction in Adobe Premiere Pro CS5.5. You’ll learn how to create masks for color correction inside of Premiere Pro, and to tweak parts of the image without affecting others.

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On RAID, Second Drafts and Storyboards (the Wrap)

Posted on April 2, 2012 in IQ Podcasts | No Comments

John Hess covers the week that past and talks about rebuilding the editing beast, writing second drafts and making drawings in the Southern California Sun.

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Understanding Professional Grade Video Monitors

Posted on March 28, 2012 in Editing | No Comments

Panasonic Post Expert Peter Putnam talks about the what to look for when comparing professional grade video monitors.

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Create a Digital Media Player in AfterEffects

Posted on March 21, 2012 in Digital Effects, Editing | No Comments

Using the standard tools in After Effects Shortformvideos creates a slightly retro-looking LCD display like the ones you’ll find on older MP3 players. No plug-ins required.

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The RED Scarlet Workflow

Posted on February 29, 2012 in Editing | 2 Comments

Presynkt Productions demonstrates their Red Scarlet workflow from ingesting into Adobe Premiere Pro CS5.5 and coloring in DaVinci Resolve.

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SxSW: Best Film Title Design 2012

Posted on February 23, 2012 in 3D Graphics, Credits, Digital Effects, Editing | 1 Comment

Need some inspiration? South by Southwest Film and Music Festival released a list of the finalists in the Title Sequence Category from Film and Television productions. The final awards will be present on Tuesday, March 13 at 8pm.

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Editing SCARFACE for TV

Posted on February 20, 2012 in Editing, Selling Your Film | No Comments

It was Harry Tatelman’s job to convert Universal’s films into television fare by taking out the foul language, and some of the violence and nudity. When he was given the task of editing Scarface’s 160 ‘F’ words along with its other blue content few thought it could be done. But in the end it may be the most creative censorship ever to hit the TV airwaves.

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7 professional editors share their FCPX experiences

Posted on February 8, 2012 in Editing | No Comments

Philip Bloom asked seven professional editors (Michael Friedman, Cameron King, Adam Barton, Eli Ungar-Sargon, Alan Seawright, Chip Dizárd) to share their experiences with working with the much maligned Final Cut Pro X. Perhaps the lover’s scorn for the Apple editing system was more emotional than rational?

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Final Cut Pro X gets an Update, Sucks Less

Posted on February 1, 2012 in Editing | 4 Comments

Apple just released Final Cut Pro X 10.0.3 – and with the addition of a small numeral change comes a handful of important updates, key among them multi-cam support, advanced chromakey tools, support for output cards for preview monitors, and (about time) an upgrade path to import old FCP 7 projects into X (although you have to pay for that feature)

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DIY Streaming Media Server

Posted on January 27, 2012 in Editing | 2 Comments

The filmmakers at our favorite underwater film production, The Underwater Realm, talk about what it takes to put together a 16 terabyte media server running on Infiniband to safely store and stream Red Epic Raw files for a fraction of the cost of an enterprise grade server.

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When Black & White Cartoons get the Color Treatment

Posted on January 24, 2012 in Editing, Off Topic | No Comments

In the 90s, colorizing old cartoons seemed like a no-brainer, what could distract little tykes better than a swatchful of color? In 1992, Ted Turner, on his colorization bender took a batch of old black and whites, shipped them to South Korea where they were hand traced, colored in and reshot.

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Three Point Editing in Final Cut Pro X

Posted on January 13, 2012 in Editing | 3 Comments

Steve Martin shows Mark Spencer the fundamentals of 3-point editing and how to execute a back-timed edit in FCP X.

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10 Tips for Speeding Up Sony Vegas

Posted on January 9, 2012 in Editing | 1 Comment

This two minute tutorial by montagical gives you 10 tips for speeding up Sony Vegas.

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