Magic Lantern announced they were able to pull a RAW stream out of the Canon line of DSLR cameras. Neumannfilms demonstrates a possible Magic Lantern Raw Workflow which allows working with continuously shot RAW video.Read More
Matt Allard of News Shooter discusses with Andy Shipsides of Abel Cine, Jason Wingrove, and Paul Schnieder the topic, “Is DSLR Video Dead?”Read More
Battle of the Bokeh is back and we’re looking at some fast 35mm lenses from Canon, Nikon and Sigma with the Canon 35mm 1.4L (http://bit.ly/ca35f14), Nikon 35mm G AF-S (http://bit.ly/n35f14g) and Sigma 35mm f/1.4 DG HSM (http://bit.ly/s35f14d), respectively.Read More
Preston Kanak looks at some of the things to consider to improve your timelapse sequences. Shooting a timelapse is not a science. However, there are a few things you can do to improve your chances. One of the challenges you need to overcome when shooting is determining the ideal setting for your camera. In this post, Read MoreRead More
Kevin Good and the folks at Weapons off Mass Production test out 3 DSLR cameras under a grand and compare their video capabilities.Read More
Want to get low to the ground while protecting your camera from sand and other elements. Here’s a simple ground-pod built out of a cheap frying pan. I’ve written previously about the importance of getting down to eye level when photographing wildlife. When eye-level means ground level, it can be awkward to support your camera whilst also Read MoreRead More
Olivia Speranza explains the difference between full frame and cropped frame sensors and how they play on perspective.Read More
DSLR filmmakers love the freedom of shooting all the way wide open. But the results of shooting with a wide aperture and shallow depth of field is dull and soft images, especially if you’re not shooting on the top-of-the-line pro lenses. Fortunately, there are several techniques to that may help get more sharpness out of Read MoreRead More
Need to get a child to look – try the Look Lock… but the resourceful filmmaker would see a perfectly capable cue card/prompter holder… Getting a good picture of a toddler, dog or other easily-distracted subject is no easy task. You snap, you whistle, you make funny faces, but in the end you’re often left Read MoreRead More
Shooting motion pictures on DSLRs is not totally different than shooting stills – the same principles apply. In this video from B&H, we learn about a few settings and gadgets for shooting photos in low light situations. The only difference for video is we’re stuck to 1/30th as the slowest shutter speed we can shoot Read MoreRead More
