Ioan Allen describes the history of Dolby Sound

April 26, 2013. Ioan Allen, Senior Vice President, Dolby Laboratories will explore the role of sound in cinematic storytelling and the evolution of the film industry. Ioan led Dolby’s entry into the cinema in 1970 and helped to build a model that was successful in cinema, and relevant to other areas of entertainment — from Read MoreRead More

SoundWorks Collection – The Sound of Transcendence

In this exclusive SoundWorks Collection sound profile we talk with the sound team behind Director Wally Pfister’s debut film Transcendence Featured interviews include Director Wally Pfister, Supervising Sound Editor Mark Mangini, Re-recording Mixer Terry Porter, Re-recording Mixer Jeremy Peirson, Dialogue and ADR Supervisor Byron Wilson, and Music Editor Erich Stratmann.Read More

The Sound of The Hobbit: The Desolation of Smaug

In this exclusive SoundWorks Collection sound profile we visit Park Road Post Studios in Wellington, New Zealand to talk with the sound team of Director Peter Jackson’s The Hobbit: The Desolation of Smaug. Featured interviews include Re-recording Mixer Michael Hedges, Re-recording Mixer Chris Boyes, Re-recording Mixer Michael Semanick, Re-recording Mixer Gary Summers, Composer Howard Shore, Read MoreRead More

The Wave-forms of Waves – Sound Design for “Chasing Mavericks”

The SoundWorks Collection talks with the sound team of Director Michael Apted’s Chasing Mavericks including Craig Henighan (Sound Re-recording Mixer) Paul Massey (Sound Re-recording Mixer), Bryan Pennington (Dolby Atmos Sound Consultant), and Erin Rettig (Post Production Sound Services, 20th Century Fox Studios) to discuss the process of mixing this film in Dolby Atmos.Read More

Coloring The Girl with the Dragon Tattoo

This video by Dolby Laboratories gives you to the behind the scenes look at how Michael Cioni and the team at Light Iron Digital used Dolby Reference Monitors for Coloring “The Girl with the Dragon Tattoo.”Read More

USC Creates Lab To Bring 3D Into Homes

ETC’s Press Release: LOS ANGELES (September 8, 2008) – The Entertainment Technology Center (ETC) announced today that it will set up a Stereoscopic 3-D Content Testing Lab addition to its Anytime/Anywhere Content Lab. Building on the success of ETC’s world-renowned Digital Cinema Laboratory, ETC’s studio and other sponsors will be using the AACL to explore Read MoreRead More