Art Adams explains LOG and REC 709 Color Space in relation to finding the best exposures to get the most out of the camera you’re using. This is what the image looked like when capturing in Log. As you can see, each step–which equals one stop–is equidistant from the others. This is not the way Read MoreRead More
James Whiffin of AETuts+ demonstrates the advantages of working in Linear Color Space inside After Effects.Read More
In this video The DSLR Film Noob compares Marvels’ Cine Picture and Canon & Technicolor’s CineStyle color correction using DSLR footage.Read More
In cooperation with Canon, the technicians at Technicolor have spent the last 12 months developing color profile settings for Canon HDSLR cameras that offer much more dynamic range. This is achieved by putting the camera’s standard H.264 REC709 color space into a log color space which allows much more freedom in picture manipulation in post. These profiles are available for free to download on the Technicolor website:Read More
