Color Grading for the “Cyan Swing”
Prehistoric Digital Colorist Chris Hall takes a look at the infamous “cyan/orange” look and how it can be applied tastefully in the color suite.Read More
Prehistoric Digital Colorist Chris Hall takes a look at the infamous “cyan/orange” look and how it can be applied tastefully in the color suite.Read More
In this tutorial Juan Melara takes a complete approach to the Summer Blockbuster look explaining both the theory and process – using the powerful 2 node subtractive colour setup using DaVinci Resolve.Read More
Genevieve Landry explores some of the basic color correction tools inside After Effects without using any plugins.Read More
Raw is all the rage, but should it be? Art Adams explains how Log gives us 99% of the benefit of a raw file in a grade but with much smaller files. Years ago I wrote an article describing how log encoding works using Sony’s S-Log as an example. Sony’s S-Log2 is coming down the pike in Read MoreRead More
Want to learn how to color correct your videos for both practical and stylistic reasons? In this episode of “Bammo Basics,” Ryan shows you the beginner’s tips and tricks so you can start color correcting your videos.Read More
You want to capture the beauty and splendor of the great outdoors but when you load up the photos, something’s just not quite right about the greenery. Whether your shooting DSLR or the Black Magic Cinema Camera (that we just talked about) it’s a matter of mastering the greens and yellows. I’ve also struggled with foliage Read MoreRead More
On September 28 2011, Patrick Inhofer came to Montreal to give a DaVinci Resolve 8 workshop – the first part of the first segment is in French but there are captions available. View the Playlist on YouTubeRead More
Color correction and grading are essential elements to give your film that extra polish. We’ve gathered 15 tutorials covering the subject – many of these contain similar information but take a different approach to the color subject. View the Playlist on YouTubeRead More
Dan Moran explains the basics of how to work with the DaVinci Resolve and footage from the Blackmagic Cinema Camera.Read More
Vincent Laforet discusses the bridging step from silver particles to zeros and ones. I love film. Most of us love film. In fact when I told my father I wanted to follow in his footsteps and become a photographer (my father was a photographer for Gamma Press, and then the Director of Photography and principle Read MoreRead More
Art Adams demonstrates how to color correct footage using the DSC Labs OneShot as a reference.Read More
Cinematographer Ryan E. Walters outlines the parts and setup of a home based coloring station.
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