Panasonic has developed a unique technology that doubles the brightness of color photography, by using micro color splitters instead of conventional color filters in the image sensor.Read More
Here is a side by side comparison of the two cameras shooting in Raw Mode: This is how we hacked the 5D: c5d.at/1o4 Today we already published a test video of the impressive Canon 5D mark III RAW module enabled by the Magic Lantern hack and a guide to get it working yourself. Here’s a side Read MoreRead More
SNL’s Digital Shorts DP Alex Buono discusses in depth the tight schedule and production of the controversial Quentin Tarantino spoof “Djesus Uncrossed” (Watch the Sketch on Hulu) I’m reading the script for the first time, thinking – “We’re supposed to shoot all of this…TOMORROW?” The script was written by Zach Kanin and Colin Jost – Read MoreRead More
Magic Lantern announced they were able to pull a RAW stream out of the Canon line of DSLR cameras. Neumannfilms demonstrates a possible Magic Lantern Raw Workflow which allows working with continuously shot RAW video.Read More
While roaming the floor at NAB 2013, FreshDV sought out filmmakers and creatives to ask them about a very prevalent 2013 trend: 4K. We wanted to hear their unfiltered thoughts on the role of 4K in acquisition and distribution.Read More
Using the GoPro Hero3′s high speed capability Mark Rober created an approximation of the Matrix slow-mo effect by actually spining the camera around the subject in high speed.Read More
Ryan E. Walters discusses why he ditched 4K cameras for the 1080p Canon C100. After many years of owning a wide range of camera systems, including a Red One and an Epic, I decided to sell it all and rent. So for the past three years I have been exclusively renting cameras on a per project basis, that Read MoreRead More
Matt Allard of News Shooter discusses with Andy Shipsides of Abel Cine, Jason Wingrove, and Paul Schnieder the topic, “Is DSLR Video Dead?”Read More
The folks behind the Red camera break down the techniques that cameras use to compress color data in this explanation of Chroma Subsampling. This became a central motivation behind early forms of analog and digital compression. Video signals would be separated into a lightness or “luma” component and two color or “chroma” components, similar to how images Read MoreRead More
Teri Campbell breaks down his approach to creating new iconic photos for a fried chicken franchise. My studio had already been shooting nearly all of KFC’s print work for more than a year when their in-house creative group first contacted us. Turns out they found us through a Google search, and didn’t even realize we had Read MoreRead More
Marc Donahue demonstrates his 15 camera Go Pro array for shooting Matrix Style “Bullet time” effects.Read More
Shane Hurlbut explores some of the tools used in camera movement as well as his approach to shooting a moving sequence in the film Mr. 3000. Motion is a very powerful tool in telling your story. It can create tension, evoke tears, make you laugh and keep you on the edge of your seat. I Read MoreRead More
