Alfred Hitchcock Explains Editing
Posted on September 2, 2010 in Editing, Interviews | 1 Comment
Here is the master Alfred Hitchcock explaining what editing really is, and how does it effects the film.
Learn MorePosted on September 2, 2010 in Editing, Interviews | 1 Comment
Here is the master Alfred Hitchcock explaining what editing really is, and how does it effects the film.
Learn MorePosted on August 11, 2010 in Filmmaking 360, Interviews | 1 Comment
Alfred Hitchcock explains how to inject emotional tension into a scene during an AFI Master seminar.
Learn MorePosted on July 14, 2010 in Filmmaking 360 | No Comments
This is a video by Isaac Niemand on Vimeo where he animates Alfred Hitchcock in a MacGuffin.
Learn MorePosted on July 6, 2010 in Interviews, Story | No Comments
Alfred Hitchcock explains the differences between mystery and suspense at an AFI Seminar in 1970.
Learn MorePosted on December 22, 2009 in Filmmaking 360 | No Comments
The following article appeared in The Spectator May 10th 1997.
Is Hitchcock’s reputation deserved?
No, says Michael Harrington. He was a light entertainer of great professional skill but no ‘genius’
Alfred Hitchcock’s reputation is a mystery worthy of the old showman himself. When his film Vertigo was re-released two weeks ago, it was greeted by film reviewers [...]
Posted on October 30, 2008 in Featured | 11 Comments
It’s that time of year, but this article is for all those filmmakers that believe Halloween lasts all year long. In past features we brought you “202 DIY Filmmaking Tutorials,” “202 Final Cut Pro Tutorials,” “202 Sony Vegas Tutorials,” among others. We now turn our attention to the dark art of Horror Filmmaking [...]
Learn MorePosted on October 9, 2008 in Interviews | 1 Comment
BBC Television interview with Alfred Hitchcock first shown on “Monitor” (1964).
Learn MorePosted on July 18, 2008 in Effects and Stunts | No Comments
Jim Emerson takes us through the history of blood in Cinema in this fascinating article from his Scanners Blog.
…Red is the color of alarm. Perhaps because it is the color of blood. Over the years, that color has changed, along with our taste in blood. In movies, I mean. What was once [...]
Posted on July 6, 2008 in Interviews | No Comments
The legendary interview from 1963
PB: You never watch your films with an audience. Don’t you miss hearing them scream?
AH: No. I can hear them when I’m making the picture.
Do you feel that the American film remains the most vital cinema?
Worldwide, yes. Because when we make films for the United States, we are automatically making them [...]