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American Werewolf in London Makeup Effects Artist Interview

Makeup FX master Tom Hester (An American Werewolf in London, Thriller, Shrek) discusses his storied career with fellow FX artist Norman Cabrera (The Walking Dead, Hellboy II, From Dusk Till Dawn) — From his early years as one of Makeup FX legend Rick Baker’s key team members to his iconic character design work for the blockbuster Shrek films.

Lion-Guy

The Two Kids Who Remade Indiana Jones Shot for Shot

Eric Zala and Chris Strompolos are two best friends. When they were kids, they decided to make their own Raiders of the Lost Ark adaptation by reenacting each scene of the film shot by shot. Now adults, the two have finally raised the money to shoot the final missing scene, so VICE decided to meet up with them as they finish their lifelong project and attend its premiere.

Raides-Remake

Why Alfred Hitcock Still Has an Impact Today

In this episode of the Hitch 20, Jeffrey Michael Bays looks at how Hitchcock still has a strong influence over multiple generations of directors. Plus, how unpredictable characters can heighten tension for the audience, as in “Wet Saturday” of Alfred Hitchcock Presents.

You can watch “Wet Satuday” on Netflix or on Hulu

The episode is an interesting opener for Hitchcock’s second season. “Wet Saturday” was a short story by John Collier originally printed in 1938 in the New Yorker magazine. Since then it has been a perennial adaptation on radio and television with the Hitchcock version being very true to source material (even borrowing many lines of dialogue). The short story concludes at the same place as the teleplay – the epilogue which Hitchcock provides was probably forced upon by the network – but in my opinion it makes more sense as a logical conclusion.

Wet Saturday

Shooting Film and TV Sex Scenes: What Really Goes On

Judd Apatow, Amy Schumer, Seamus McGarvey, Adrian Lyne, Jean-Marc Vallée, and Sarah Treem discuss how Hollywood approaches shooting sex scenes.

Sex Scenes

“I personally am very excited when we shoot sex scenes,” said Sarah Treem, a creator of the Showtime series “The Affair.” “Because I think they can be transgressive; they can be very, very real.”

When they work, she added, “everybody actually enjoys them.”

Audiences certainly do, if the blockbuster success of “Fifty Shades of Grey” is any measure. But they are delicate moments to capture. “We did actually save the explicit sex to the final week” of shooting, said Seamus McGarvey, the cinematographer of “Fifty Shades of Grey,” based on E. L. James’s S-and-M-centered novel — though on-screen, some of the whipping is created via digital imagery.

Ruth Wilson and Dominic West in “The Affair.” Credit Mark Schafer/Showtime
To simulate sex, actors employ tricks: pillows between them, prosthetics and body stockings, and push-ups to get their muscles bulging. But the movement is often improvised. “If it’s overly rehearsed or overly thought through, it seems like a bad soft-core porn on Cinemax,” said Judd Apatow, the auteur of raunchy rom-coms (and a producer of “Girls”). In the forthcoming comedy “Trainwreck,” Mr. Apatow directed the writer and comedian Amy Schumer in her first big-screen sex scenes; she pumped herself up by listening to Beyoncé in her trailer.

The New York Times | Read the Full Article

Watch the Damien Chazelle’s Original Short Film “Whiplash”

Originally conceived as an 85 page script, a short consisting of 15 pages was created to attract investors. This 18-minute short went on to receive acclaim at the 2013 Sundance Film Festival. Staring Johnny Simmons as the drummer and J. K. Simmons as the teacher, watch the original short film that brought the investors to turn the script into an Oscar Nominated Film.

Whiplash

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