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WORDS – a Short Film by the WGA on the Importance of Writing

This short film, released by the Writers Guild Foundation in 1987, honors the craft of screenwriting and the writers behind our favorite lines and cinematic moments. Written and directed by Academy Award winning filmmaker Chuck Workman, it was screened at film festivals and college campuses around the country to inspire writers and celebrate the importance of the written word in entertainment.

Words

Exercises to Relieve Computer Neck Headaches and Shoulder Pain

Let’s face it, we all spend way too much time on the computer writing scripts, scheduling, contacting collaborators, editing…. The long hours can cause a lot of pain in the shoulder and the neck (and we’re not just talking about literal pain). Here’s are a few quick exercises to help relieve some of the muscle stress.

exercises for neck and shoulder pain

The Visual Effects of “The Martian”

‘The Martian’ has director Ridley Scott returning to the science fiction genre where he made his mark with “Alien” and “Blade Runner.” Visual effects supervisor Richard Stammers and virtual production supervisor Casey Schatz reveal how everything from Scott’s sketches on printouts to the latest computer technology helped create one of Hollywood’s most realistic space adventures.

The Martian

Sony Alpha a6300: First Look

In this video, Kenta Honjo of Sony introduces the just-announced a6300, building on Sony’s impressive lineup of mirrorless still cameras, along with three brand new lenses from the upcoming G-Master series. The a6300 reaches an amazing .05 second AF time thanks to its 425 phase-detect AF points, even faster than the a6000, plus it’s now capable of 4k video thanks to a redesigned 24.2MP sensor. The new lenses offer fast speeds, incredibly sharp picture, creamy smooth bokeh, and have been optimized for both stills and video.

Sony Lens

How a Live Musical is Directed for Television

Assistant Director Carrie Havel calls out the cameras in this behind the scenes peak at what goes on in the director’s booth on “Grease Live” (click on the image to see the video)

Directign-Grease

A lot of people have asked what it means to be the Associate Director on a show like Grease Live. Here’s a peek behind the curtain. Every shot in the show was designed and scripted by our director Alex Rudzinski. My job was to execute that plan. You hear me calling shot numbers and camera moves carefully coordinated with the music. My head stays in the script and Alex, to my right, keeps an eye on cameras to adjust framing and pacing.

Posted by Carrie Havel on Monday, February 1, 2016

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