The Internet Goes on Strike over SOPA, Productivity Skyrockets

Now that it’s too cold to go camping on Wall Street, interwebs are abuzz with a new protest meme denouncing SOPA. This should not be confused with their decades long protest against soap.

If you’re reading this on Wednesday January 18, 2012 and you decide to head over to Wikipedia for a quick read up on the history of Gilligan’s Island you’ll be greeted with a black screen of protest. Or maybe you want to spend some quality time on Reddit or BoingBoing… nope, they’re black. Oh well, at least there’s always LOLcats at ICanHasCheezburgers…. wait… NO! In this world gone mad not even the Thai Food Blog is safe!!!!!

All these sites and others have pledged to conduct a one day internet shutdown as a symbolic protest over two bills that are making their way through the United States Congress. Apparently with complete disregard for the fact once you go black, you don’t go back.

As a way of joining in, all of our links within this article will go to the “dark sites” participating in the protest. After all, who needs to check facts during an internet protest. Just take our word that everything you read here is the gospel truth…

So what the hell is SOPA?

It is a winner take all fight to the death between Media Giants (MPAA, RIAA) vs Tech Giants (Google, Facebook). These bills, SOPA (Stop Online Piracy Act) and PIPA (Protect IP Act) were designed to put a check to online piracy – a move that is very popular with organizations like the MPAA and RIAA who see people enjoying and sharing entertainment freely as the first sign of the apocalypse. But the bill, in its current state, grants to the government the power to block websites that not only host, but link to sites that illegally use copyright infringed work.

How the hell does it work?

Because it’s difficult for U.S. companies to take legal action against “rogue” foreign sites (like The Pirate Bay) SOPA’s aim is to cut off pirates ability to do business by requiring U.S. search engines, video hosts, advertising networks and other providers to not allow them to use their services. That would mean sites like Google couldn’t show flagged sites in their search results, and sites like PayPal couldn’t process payments for them. It would also mean sites like YouTube would go dark because user uploaded material that may violate copyright law.

These tactics where used to some degree to try and kill Wikileaks when Paypal, Visa, MasterCard, Amazon and others blocked them from using their services. That in turn lead to the group Anonymous to launch Operation Payback that snowballed into a wave of hacking attacks. The big deference being those where voluntary actions by service providers and they where not under any legal obligation to do so.

Why the hell should I care?

The bills are controversial because they would change the digital landscape if they became law and murder millions of kittens. It could mean the shut down of many user generated content sites and force them to enact dictatorial policing actions.

Google and Facebook, are known for never selling their user information to third parties (ahem!), are weighing in on this obtrusive action of the government calling it censorship. Yes, there is no shortage of irony:

But I digress….

You may be asking yourself, isn’t copyright infringement already illegal? Why yes it is. The way copyright enforcement currently works now is if a copyright holder sees an act of infringement, let’s say on Youtube, they can issue a DMCA (Digital Millennium Copyright Act) Warning. The other side can protest this warning and use many of the legal copyright defenses (like fair use or parody). If they can’t come to terms, the matter can be taken to the courts. But this is only effective in sites based in the United States.

SOPA steps up the action by giving the government the power to shut down access to sites that infringe on copyright material. And the shut down is being done at the point of accusation, which means just the whiff of infringement could lead to a shut down.

SOPA’s critics say the bill’s backers just don’t understand the interwebs’ series of tubes, and therefore don’t appreciate the implications of the legislation.

When the hell does this go into effect?

In its current form most likely never. It was expected to fly through committee then on to approval in the House. But now after the interwebs went batshit, it’s being extensively “reworked.”

The White House said the original legislation’s technical provisions “suggests that they pose a real risk to cybersecurity,” and that it wouldn’t support legislation that mandates manipulating the Internet’s technical architecture.

House Majority Leader Eric Cantor has said SOPA won’t come up for a committee vote as-is.

They plan to resume revision of the bill in February and it likely is to last for months. That means the bill could change a lot from day to day. One thing is for sure, these giants will continue to fight it out for years to come, crushing us all in their wake.

Perhaps this time the Tech Firms have a valid points, but make no mistake neither side really cares about your freedoms. Especially when they conflict with profits.

Forget Focusing Pulling! The Lytro Video Camera?

The Lytro Light field camera has the unique ability to pull focus after the picture has already been taken. It was making waves back when it was first talked about last June (and again here). Now they’re taking pre-orders and there’s even hints about video being offered soon. Eric Cheng, a director of photography for Lytro Camera sits down for an interview at CES 2012 with the Verge.

The Art of the Title: Rubicon

Rubicon is AMC’s Original Series that follows a beleaguered and brilliant government analyst who, after being faced with a shocking tragedy, begins to uncover clues that could point to a complex and sinister consipiracy. To portray that paranoia, Creative Director Karin Fong studied infrastructure, battle graphs, and 70s psycho movies to craft the final version of the opening title animation.

The final result:

The initial meeting was in Los Angeles with Rubicon’s EPs, Henry Bromell and Jason Horwitch. Then when they actually shot it, they finished shooting in New York. After the initial meeting, I met mostly with Henry. I’d go visit him in his office when they set up shop here, and then later we would meet at AMC.

From the very beginning, there was the idea of this government, this agency basically, and a main character whose life revolves around pattern recognition. In the pilot, he finds a clue in a crossword puzzle and it becomes very indicative to him of a wider theme. So, one could imagine that people all throughout our environment are embedding messages or signs in want ads or something which would seem mundane to the rest of us – like hiding in plain sight. The idea that if you could just recognize the right pattern you would see signs of a secret organization.

— Art of the Title | Read The Full Article

On Being Predictably Irrational (the Wrap)

John Hess talks about the book “Predictably Irrational” and what we can learn from it for filmmaking.

Episode 33:

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Predictably Irrational by Dan Ariely

Top 7 articles from January 8-14, 2012

7. Does ‘Devil Inside’ suggest a new studio-filmmaker relationship?

“The Devil Inside” topped the box office despite being universally panned by critics and audiences alike. Steven Zeitchik takes a look at this low budget film that had the muscle of Paramount Studios behind it.

6. JVC Unveils World’s First 4k Handheld Camera at CES

It’s official, folks with resolution fetish have reason to rejoice. JVC has announced the world’s first 4K (that’s 3840×2160 pixels) camcorder. It’s a fixed lens on a 1/2 inch chip so you’re not going to get the kind of bokeh that DSLR shooters come to love but this could be a harbinger of things to come. The camera will be shipping in March and will be priced at just under $5k.

5. Running Specs on Nikon D4

The newest DSLR to the scene from Nikon is getting buzz for its film friendly features including finally bringing Nikon to the 1080p realm. Nikon’s James Banefield runs down the new features for DSLR News Shooter.

4. 3 Simple Rules for Shooting Exteriors with Available Light

Call them guidelines if you want, Chris Weaver sets up three practical tips for shooting outside with available light.

3. DSLR Lighting and Music Video Technique

Tim Cash, the Oregon Filmmaker, demonstrates how he lights a small space for a music video look and shows off the double speed music video technique.

2. The Best Budget Lenses and Accessories for DSLR Filmmakers

Those new to filmmaking may get sticker shock when they realize they could easily spend as much or more for glass as for a camera body itself. Luckily, there’s a plethora of options out there that won’t break the bank.

1. TEDxVictoria – Crowdfunding 101

Victoria Westcott shares the five simple lessons from her childhood and how they apply crowdfunding, including raising $20k for her first feature film “Locked in a Garage Band”

WTF Post of the Week

Boggle-Head Music Video “Lolly Too Dum”

Drew Berry: Animating Unseeable Biology

Molecules exist in dimensions smaller than the wave lengths of the visible light spectrum and because of this they are impossible to photograph. But that hasn’t stopped scientists from thinking about what they look like and what they’re doing. In this TEDxSydney talk, Drew Berry shows an amazing 3d animation of what’s going on at the molecular level inside a cell nucleus as it’s getting ready to split.

More animations by Drew Berry showing molecular processes:

Behind the Scenes at Kessler’s TimeFest 2011

What happens when you get a bunch of filmmakers together to test Kessler Gear and shoot the night sky over the Sierra Nevada? Go behind the scenes with Eric Kessler, Vincent Laforet, Tom Lowe and friends as they go hunting for Timelapses for the film “Timescape“.

Boggle-Head Music Video “Lolly Too Dum”

What a better day to write this than on Friday the 13th?

I was just getting somewhat proficient on the guitar and I wanted to make a silly video with a cute Folk Song that I designed a little routine for. I shot the video about 4 years ago with the three characters in front of the greenscreen. I’ve been so busy since that the footage and the graphics I developed sat on the hard drives, traveling through multiple hardware upgrades, never seeing the light of day (To some people, that might have been a good thing).

Recently, I’ve been on a push to get out some of these old projects. After all, there’s nothing worse than a half finished personal projects lying around.

And now, the world has one more video of me in drag.

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