Kevin B. Lee presents a compilation of pontifications on the dissolve and how they were used throughout cinema in this video essay for the film site: The Dissolve.
From Pan’s Labyrinth, to Pacific Rim, to the Hellboy franchise Guillermo Del Toro has brought the magic back to genre cinema. And Crimson Peak is no exception as he channels the cinematic prowess of one of the now long gone greats, the Master of the Macabre, Mario Bava. In this episode of Frame By Frame, Kyle shows how the style and techniques of this Director’s Ghost haunts the halls of Crimson Peak.
If you had the same amount of money to spend on either one zoom lens or three prime lenses, which one should you go for? Lok and Kai from DigitalRev compare the 24-70mm range by looking at a Canon 24-70mm f/2.8L\ and comparing it to a 24mm Canon 24mm f/2.8 IS USM, Canon 35mm f/2 IS USM and Sigma 50mm f/1.4
She is a classic overnight sensation who worked for years to make her way to the top. Now, as a leading actress, a producer, and now a director, she is at the top of the Hollywood food chain. And her role as the woman who helped Brian Wilson regain his sanity in Love & Mercy has people talking about her being nominated for Best Supporting Actress. She talked with David Poland about the journey.
The Hollywood Reporter’s Studio Executives Roundtable features Donna Langley (Chairman, Universal Pictures), Tom Rothman (Chairman, Sony Pictures Motion Picture Group), Rob Moore (Vice Chair, Paramount Pictures), Stacey Snider (Co-Chairman, 20th Century Fox), Alan Horn (Chairman, The Walt Disney Studios), and Rob Friedman (Co-Chair, Lionsgate Motion Picture Group).