Take a peak inside the recording studio where the voice over is recorded for Defense Grid 2
If you’ve played a video game in the past several years, you’ll probably recognize her voice. Her list of credits is enormous. Baldur’s Gate, Planescape: Torment, Eternal Darkness: Sanity’s Requiem, Metroid Prime, Knights of the Old Republic, Mercenaries, the Metal Gear Solid series, Mass Effect 2 and 3, Gears of War 3, Diablo 3, Halo 4 and 5, Call of Duty: Black Ops, BioShock Infinite, The Last of Us and Broken Age are not even half of the games she’s contributed to.
Executive Producer Jeff Pobst and Script Co-Writer Sam Ernst are directing, sitting in chairs with wood frames and slung canvas, like you’d expect. Each is holding a script the size of a small phone book. The engineer signals he’s ready to begin. And Hale begins.
Standing in the recording booth, she runs over a couple of lines, trying out different voices. She’s playing a new character, a former scientist who is now part of a computer, and who will help the player.
And then Hale drops it, and it’s perfect. A fully realized character, pulled out of the bag like it’s nothing. The result of (and perhaps the cause for) over two decades of successful work in the video game industry.
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Natasha Cadman goes into three types of light and how they impact your photographic style.
Diffused light that which is not harsh and direct, it has been softened in some way. A great example is when you are outside and the sun is shining, with no clouds in the sky. The light is harsh and you will notice that there will be a lot shadows falling on or around your subject. But, if clouds are in the sky and they block out some of that harsh sunlight, the light then becomes diffused.
You can use diffused lighting to your advantage in a great way. If you are shooting portraits on an overcast (diffused) day, you are pretty much shooting with nature’s own softbox. You will be able to work with your subject easier, and have different angles to shoot from, because you won’t be limited by the harsh lines and shadows that undiffused light can create. Overcast (diffused) lighting is preferred by many photographers, as it is a flat and even light. If it were a particularly sunny and bright day, shooting in the shade would also offer you some diffused lighting.
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You might not expect to run into one of the finest performances of four-time Oscar nominee Ben Kingsley in an animated film, but Archibald Snatcher is one of the extraordinary surprises of The Boxtrolls. Sir Ben spoke to David Poland about the film, how he found this unexpected voice, and how he approaches his work
By now, EVERYONE knows about the Ice Bucket Challenge (unless you’ve somehow avoided contact with the internet for the past month). While it has been incredibly successful in terms of dollars raised, lots of the videos fail to mention donations, and many people question the value of the campaign. Are these videos “slacktivism”, helping only superficially with a cause? What value do our social posts really have?
If getting things in focus is your ultimate goal – here are 5 ways to ensure everything in frame will be in focus.
Might sound simple enough but I still train people who aren’t aware that you can digitally zoom in (x5 and x10) and check your focus before you start recording. The reason this is helpful as many people are focusing off the back of their LCD monitor on the camera. It can be hard to judge focus off the back of the camera for a couple of reasons. First, for older shooters or those of us who were corrective glasses/contacts it can be difficult to find the happy balance of seeing the LCD itself in focus before dealing with whether or not the shot is in focus.
Secondly, the main reason it is difficult to judge if your shot is in focus is because you are looking at a tiny screen. The smaller the image you are looking at the more masked the effects of soft focus. This results in many people thinking the shot is in focus but when they look at a larger screen they realize the focal point is not where they wanted or the overall image is slightly soft and renders the shot unusable. Zoom in and you will set yourself up for the best possibility for your footage to be in focus. The fact the image is so small masks if the image is slightly soft and you won’t notice until you are look at your footage after the shoot. By that time you are too late and now you have footage you need that isn’t in focus.
Planet 5D | Read the Full Article