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The Shorts Workshop

Public Group active 4 months, 1 week ago

The concept behind this group is to workshop scripts and edits of shorts that you are working on.

On the Set of ”Treachery in Three Dimensions” (19 posts)

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  • Avatar Image John P. Hess said 11 months ago:

    If you want to read the script:
    http://filmmakeriq.com/groups/the-shorts-workshop/forum/topic/script-project-treachery-in-three-dimensions/

    The Sunday shoot date is approaching fast and I set aside today (Friday) to start putting together my set in my garage. The plan is to shoot about 7-8 pages on Sunday and reserve another evening to do some pickups and some promotional stills.

    In order to move that quickly, I’m going to utilize my garage set. I have two breakaway walls that I built previously, a couple brick pattern panels, and a mock desk (which is just 5 panels sitting on a fold up table).

    To start – I wanted to have the detective’s angle setup right when we start on Sunday. We’ll take about an hour or so to shoot this angle, then I’ll move the brink panels around and redress the set to get a the girl’s angle. This may take about a half an hour as we’ll have to redo everything including the lighting.

    By that time it should be around 1PM (starting at 9AM, 10AM start shooting, 11AM redress with break, 12PM Shoot reversal) – we’ll have a casual lunch which my other actors arrive.

    Then we’ll move everything back but leave it up and shoot the interrogation scene. The scene is suppose to take place in a studio lot so I can double all the production gear as props.

    I want to try to keep the camera setups rather simple for the “interrogation” scene though if we’re on schedule, we can probably pull it off between 2PM – 6PM. At which we’ll have dinner.

    Then from 6PM on we’ll get the scene of the detective stumbling on the editor in his edit bay which will be my real life editing computer.

    That’s the plan….

    Here’s the test footage from the set that I built in the garage. I’m pretty happy with it and I’m amazed at how easy it is to set dress a film noir (because so much is in shadow).

    Here’s my Mom being detective Vorhees

    My publicity shot :)

  • Avatar Image John P. Hess said 11 months ago:

    One thing I wanted to note for future film noir or noir like productions… the fog machine.

    The fog machine adds a certain volume depth to the shot. Our brains are wired to think of faded images (lighter colors) are farther away than darker and bolder colors. That wall behind me is only a could feet away but the dense smoke of the fog machine makes the set feel much bigger than it really is.

  • Avatar Image John P. Hess said 11 months ago:

    Also testing out a new workflow using Cineform Neo as a digital intermediary.

    I’m shooting all of this IN COLOR and using Neo’s First light to preliminary color grading (pulling to black and white). I do this so I can fudge the skin tone colors in the Black and White – I can pull them up and down using the red channel in First Light.

    In what I’ve done with First Light – I REALLY like it. It seems to be a more responsive codec.

  • Avatar Image John P. Hess said 11 months ago:

    And my little timelapse of the setup:

    May still be uploading…

  • Avatar Image Scott Jarvie said 11 months ago:

    @Gospel_John said:
    One thing I wanted to note for future film noir or noir like productions… the fog machine.

    The fog machine adds a certain volume depth to the shot. Our brains are wired to think of faded images (lighter colors) are farther away than darker and bolder colors. That wall behind me is only a could feet away but the dense smoke of the fog machine makes the set feel much bigger than it really is.

    http://en.wikipedia.org/wiki/Aerial_perspective

    Dudley Do-Right says:
    “If it’s worth doing, it’s worth doing right!”
    “Remember to always look before crossing the road.”
  • Avatar Image Madison Paige said 11 months ago:

    will you be using any filters for CUs?

    Be Excellent.
  • Avatar Image John P. Hess said 11 months ago:

    @madisonp said:
    will you be using any filters for CUs?

    No… I dont even have filters. I’m even shooting in color…All the stuff is going to be heavily processed in post and I’ll do the bloom effects there.

  • Avatar Image Simon Hosick said 11 months ago:

    Best way, it’s how it was done in the good old days.

  • Avatar Image John P. Hess said 11 months ago:

    @Dark_Water said:
    Best way, it’s how it was done in the good old days.

    They shot Canon 5d in the old days? :P

  • Avatar Image John P. Hess said 11 months ago:

    56 gigs of footage in the can…

    About 90% shot – need one more evening for pick ups…

  • Avatar Image Dennis said 11 months ago:

    @Gospel_John said:
    Here’s my Mom being detective Vorhees

    This is my favorite video you ever posted. :)

    Now With Half The Calories Of Regular Bullshit!
  • Avatar Image John P. Hess said 11 months ago:

    Messing around with some stills as I back up and convert…

    Hard drinking, hard smoking private dick Ronald Vorhees on the case:

    The femme fatale Stella Bankroft

    Her father, the mousey Percival Bankroft

    And the treacherous and evil Professor Z

  • Avatar Image Dennis said 11 months ago:

    @Gospel_John said:
    Hard drinking, hard smoking private dick Ronald Vorhees on the case:

    I should mention this before you do the credits. Voorhees is spelled with 2 o’s. :)

  • Avatar Image Simon Hosick said 11 months ago:

    I really like that ultra desaturation, very cool.

  • Avatar Image John P. Hess said 11 months ago:

    @Dennis said:
    I should mention this before you do the credits. Voorhees is spelled with 2 o’s. :)

    Thanks!

    Good to know when I do the opening scene which will be a CGI dolly in of a door with his name on it :)