Now before I get a bunch of hate responses please let me explain. I love RED Cameras and cinematographers. You can’t make a movie without one and I don’t take their craft lightly. This is one of the reasons I wanted to do this podcast. Being a DP is by far one of the toughest positions on set. The pressure is immense.
With that said the explosion of low cost cameras (RED Camera, Black Magic, Canon 5D, Nikon, iPhones, etc) and lighting gear has thrown a huge amount of “cinematographers” into the market place.
This podcast is a warning to young and inexperienced filmmakers not to hire, not only a director of photography, but any top level crew member solely because they own some of the latest cool gear.
All I’m saying is don’t hire a crew member just because of the gear he or she owns. You’ll thank me. Take a listen to this episode to hear my horror story that cost me over $50,000. OUCH!
I wouldn’t call an RED EPic Dragon Camera exactly a low cost camera. You have to work hard in the industry (and gain a lot of experience) before you are able to buy the whole package.
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