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	<title>FilmmakerIQ.com &#187; Production Design</title>
	<atom:link href="http://filmmakeriq.com/category/production/production-design/feed/" rel="self" type="application/rss+xml" />
	<link>http://filmmakeriq.com</link>
	<description></description>
	<lastBuildDate>Thu, 24 May 2012 17:51:59 +0000</lastBuildDate>
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		<title>Use Vinyl Flooring as a Backdrop</title>
		<link>http://filmmakeriq.com/2012/05/use-vinyl-flooring-as-a-backdrop/</link>
		<comments>http://filmmakeriq.com/2012/05/use-vinyl-flooring-as-a-backdrop/#comments</comments>
		<pubDate>Wed, 23 May 2012 17:06:25 +0000</pubDate>
		<dc:creator>John P. Hess</dc:creator>
				<category><![CDATA[Production Design]]></category>
		<category><![CDATA[Backdrop]]></category>
		<category><![CDATA[Background]]></category>
		<category><![CDATA[Endless White]]></category>
		<category><![CDATA[Production]]></category>

		<guid isPermaLink="false">http://filmmakeriq.com/?p=12063</guid>
		<description><![CDATA[Want a durable backdrop that's stronger than paper and won't wrinkle like cloth? Try stopping by your local hardware store and buying up that ugly vinyl flooring that's in the cheap bin.]]></description>
			<content:encoded><![CDATA[<p>Want a durable backdrop that&#8217;s stronger than paper and won&#8217;t wrinkle like cloth? Try stopping by your local hardware store and buying up that ugly vinyl flooring that&#8217;s in the cheap bin.</p>
<p><iframe width="612" height="445" src="http://www.youtube.com/embed/rhal1DFlx-0" frameborder="0" allowfullscreen></iframe></p>
]]></content:encoded>
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		</item>
		<item>
		<title>DIY Daft Punk Helmet</title>
		<link>http://filmmakeriq.com/2011/10/diy-daft-punk-helmet/</link>
		<comments>http://filmmakeriq.com/2011/10/diy-daft-punk-helmet/#comments</comments>
		<pubDate>Wed, 26 Oct 2011 23:03:29 +0000</pubDate>
		<dc:creator>John P. Hess</dc:creator>
				<category><![CDATA[Production Design]]></category>
		<category><![CDATA[Daft Punk]]></category>
		<category><![CDATA[Helmet]]></category>
		<category><![CDATA[Production]]></category>
		<category><![CDATA[Props]]></category>

		<guid isPermaLink="false">http://filmmakeriq.com/?p=9335</guid>
		<description><![CDATA[Just in time for Halloween... well not quite. Volpin Productions, a freelance prop and replica master in Atlanta GA, shows the process of making a Daft Punk Helmet complete with programmable lighting visor over a course of 3 months in this build video]]></description>
			<content:encoded><![CDATA[<p>Just in time for Halloween&#8230; well not quite. Volpin Productions, a freelance prop and replica master in Atlanta GA, shows the process of making a Daft Punk Helmet complete with programmable lighting visor over a course of 3 months in this build video</p>
<p><object width="500" height="281"><param name="movie" value="http://www.youtube.com/v/DxjmQfeYztA?version=3&#038;feature=oembed"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/DxjmQfeYztA?version=3&#038;feature=oembed" type="application/x-shockwave-flash" width="500" height="281" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>
<p><a  href="http://filmmakeriq.com/wp-content/uploads/2011/10/daft-punk.jpg" class="thickbox no_icon" rel="gallery-9335" title=""><img src="http://filmmakeriq.com/wp-content/uploads/2011/10/daft-punk.jpg" alt="" title="Daft Punk DeLorean Shoot" width="427" height="640" class="aligncenter size-full wp-image-9336" /></a></p>
<p><a  href="http://volpinprops.blogspot.com/2011/09/daft-punk-helmet-thomas-final.html">Check out the rest of the photos in his build on his blog.</a></p>
]]></content:encoded>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Grading the Blackboards in Porn (SFW)</title>
		<link>http://filmmakeriq.com/2011/10/grading-the-blackboards-in-porn-sfw/</link>
		<comments>http://filmmakeriq.com/2011/10/grading-the-blackboards-in-porn-sfw/#comments</comments>
		<pubDate>Thu, 13 Oct 2011 09:30:03 +0000</pubDate>
		<dc:creator>John P. Hess</dc:creator>
				<category><![CDATA[Outtakes]]></category>
		<category><![CDATA[Production Design]]></category>
		<category><![CDATA[Blackboards]]></category>
		<category><![CDATA[porn]]></category>
		<category><![CDATA[Sets]]></category>

		<guid isPermaLink="false">http://filmmakeriq.com/?p=9154</guid>
		<description><![CDATA[We've all been there... it's late at night and you're watching a promising "Hot for Teacher" video only to be spoiled the pathetic scribbling on the blackboard that's suppose to pass for advanced mathematics. 
]]></description>
			<content:encoded><![CDATA[<p>We&#8217;ve all been there&#8230; it&#8217;s late at night and you&#8217;re watching a promising &#8220;Hot for Teacher&#8221; video only to be spoiled the pathetic scribbling on the blackboard that&#8217;s suppose to pass for advanced mathematics. </p>
<p>Put away the Jergens, there&#8217;s a blog cracking down on the mathematically incorrect set design.</p>
<p><a  href="http://filmmakeriq.com/wp-content/uploads/2011/10/OnePlusOne.jpg" class="thickbox no_icon" rel="gallery-9154" title=""><img src="http://filmmakeriq.com/wp-content/uploads/2011/10/OnePlusOne.jpg" alt="" title="OnePlusOne" width="400" height="267" class="aligncenter size-full wp-image-9155" /></a></p>
<blockquote><p><a  href="http://blackboardsinporn.blogspot.com/2010/09/5.html">Mathematics &#8211; university/nursery school level.</p>
<p>This is clearly an extremely advanced level mathematical course, focusing on the Peano axioms for the natural numbers which formalised mathematics in the late 19th century. This course would culminate with Gödel&#8217;s second incompleteness theorem which shows that the consitency of the Peano axioms cannot be formalised within Peano arithmetic itself.</p>
<p>Alternatively, it could be that the pupil, even at her advanced age, hasn&#8217;t grasped that 1 + 1 = 2, and that all the after school one-to-one lessons in the world aren&#8217;t going to work. Indeed, she probably won&#8217;t even understand what &#8216;one-to-one&#8217; means.</p>
<p>8/10 &#8211; loses two marks for &#8216;math&#8217;.</a></p>
<p><strong>— Blackboards in Porn| <a  href="http://blackboardsinporn.blogspot.com/">Read The Full Article</a></strong>
</p></blockquote>
]]></content:encoded>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>Directing Food</title>
		<link>http://filmmakeriq.com/2011/10/directing-food/</link>
		<comments>http://filmmakeriq.com/2011/10/directing-food/#comments</comments>
		<pubDate>Tue, 11 Oct 2011 09:10:35 +0000</pubDate>
		<dc:creator>Dennis</dc:creator>
				<category><![CDATA[Directing]]></category>
		<category><![CDATA[Production Design]]></category>
		<category><![CDATA[Filmmaking 360]]></category>
		<category><![CDATA[Food]]></category>
		<category><![CDATA[Michael Schrom]]></category>

		<guid isPermaLink="false">http://filmmakeriq.com/?p=9135</guid>
		<description><![CDATA[Food shots look simple. Plate a scrumptious dish and shoot away right? Not so fast. It takes lots of hard work, dedication, and perfect timing to bring out that perfect wipe-the-drool-off-the-screen shot. Michael Schrom is one of those few "table top directors" who has been able to stand the heat of the kitchen and make a living shooting food.
]]></description>
			<content:encoded><![CDATA[<p>Food shots look simple. Plate a scrumptious dish and shoot away right? Not so fast. It takes lots of hard work, dedication, and perfect timing to bring out that perfect wipe-the-drool-off-the-screen shot. Michael Schrom is one of those few &#8220;table top directors&#8221; who has been able to stand the heat of the kitchen and make a living shooting food.</p>
<p>The New York Times dishes up a profile of Schrom and other artists as well as some of their techniques to make food look absolutely delicious.</p>
<p><a  href="http://filmmakeriq.com/wp-content/uploads/2011/10/09-FOOD-articleLarge.jpg" class="thickbox no_icon" rel="gallery-9135" title=""><img src="http://filmmakeriq.com/wp-content/uploads/2011/10/09-FOOD-articleLarge.jpg" alt="" title="09-FOOD-articleLarge" width="600" height="350" class="aligncenter size-full wp-image-9136" /></a></p>
<blockquote><p><a  href="http://www.nytimes.com/2011/10/09/business/in-food-commercials-flying-doughnuts-and-big-budgets.html?_r=3&#038;src=recg&#038;pagewanted=all">    Mr. Schrom has the eyeglasses of an architect and the relaxed, contented air of a man highly entertained by his job. On this day, he is filming for a national chain — one that also requested anonymity — capturing what he calls “flavor cues.” In one shot, a stagehand pours chocolate syrup over a sheet of caramel. (You can almost hear a voiceover purring, “Chocolate.”) In another, cream bubbles up in a cup of coffee. In real time, these moments barely register. In slow-motion playbacks, with a digital camera that shoots up to 1,600 frames a second, the images are almost erotic. Which is no accident.</p>
<p>    “You’re using the same part of your brain — porn, food,” Mr. Schrom says during a break. “It’s going in the same section; it’s that visual cortex that connects to your most basic senses. What we’re trying to do is be the modern-day Pavlovs and ring your bell with these images.”</p>
<p>    He has several food stylists who work in a huge kitchen next to his set. They start with the very same food and recipes used in the restaurants and stores.</p>
<p>    In part, this is a truth-in-advertising issue. Everyone knows that in 1970, the Federal Trade Commission settled a complaint against the Campbell Soup Company after its ad agency slipped marbles into a bowl in ads featuring its vegetable soup, apparently to force more veggies to the surface. That put a scare into the industry that endures to this day.</p>
<p>    Anything that flatters the food, of course, is fair game, and that includes gimmicks you’re unlikely to find in a fridge. Glue is used to keep spaghetti on forks and pizzas in place. The ice in a beverage might be made of acrylic and cost $500 a cube. The frost coming off a beer could be a silicone gel, mixed with powder and water.</p>
<p><strong>New York Times | Full Article</strong></a></p></blockquote>
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]]></content:encoded>
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		<title>DIY Creepy Eye-Following Pictures</title>
		<link>http://filmmakeriq.com/2011/10/diy-creepy-eye-following-pictures/</link>
		<comments>http://filmmakeriq.com/2011/10/diy-creepy-eye-following-pictures/#comments</comments>
		<pubDate>Mon, 10 Oct 2011 09:05:31 +0000</pubDate>
		<dc:creator>Dennis</dc:creator>
				<category><![CDATA[Production Design]]></category>
		<category><![CDATA[DIY]]></category>
		<category><![CDATA[Production]]></category>
		<category><![CDATA[Props]]></category>

		<guid isPermaLink="false">http://filmmakeriq.com/?p=9080</guid>
		<description><![CDATA[This easy trick demonstrated by starshipminivan on Instructables, shows you how to create creepy pictures where the eyes seem to follow you. ]]></description>
			<content:encoded><![CDATA[<p>This easy trick demonstrated by <a  href="http://www.instructables.com/member/starshipminivan/">starshipminivan</a> on <a  href="http://www.instructables.com/id/Creepy-Eye-Following-Pictures/?ALLSTEPS">Instructables</a>, shows you how to create creepy pictures where the eyes seem to follow you. </p>
<p><a  href="http://www.instructables.com/id/Creepy-Eye-Following-Pictures/?ALLSTEPS"><br />
View Full Tutorial on Instructables</a></p>
<p><object width="500" height="375"><param name="movie" value="http://www.youtube.com/v/_R0ihLrsFgI?version=3"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/_R0ihLrsFgI?version=3" type="application/x-shockwave-flash" width="500" height="375" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>
<blockquote><p><a  href="http://www.instructables.com/id/Creepy-Eye-Following-Pictures/?ALLSTEPS">Research has shown that any picture in which the subject is looking directly ahead will have eyes that appear to look at you no matter the angle from which it is viewed.  This is because pictures are 2D representations of a 3D world.  As such, our brains ignore the clues that remind it that we are looking at a flat object and focus instead on the dimensional illusion created by the representation of light in the picture.  No matter the angle from which we see it, even if it is a very skewed view from the side, we&#8217;ll perceive it as a cohesive picture oriented toward us.</a></p>
<p><a href="http://www.instructables.com/id/Creepy-Eye-Following-Pictures/?ALLSTEPS"> </a><a  href="http://www.instructables.com/id/Creepy-Eye-Following-Pictures/?ALLSTEPS">The alteration I&#8217;m describing adds an actual 3D effect to the picture which is not consistent with the cohesive view, making it disturbing and, thus, creepier than a static picture with eyes that look directly forward.  It works by receding the eyes below the surface of the picture.  The depth of the eyes allows the edges of the eye sockets (which are not receded) to hide the whites on the side it is being viewed from, just as would happen if an actual person was turning their eyes toward you.<br />
<strong><br />
Instructables | View Full Tutorial</strong></a></p></blockquote>
<p><a  href="http://filmmakeriq.com/wp-content/uploads/2011/10/Creepy-Eye-Following-Pictures.jpg" class="thickbox no_icon" rel="gallery-9080" title="Creepy-Eye-Following-Pictures"><img class="aligncenter size-full wp-image-9083" title="Creepy-Eye-Following-Pictures" src="http://filmmakeriq.com/wp-content/uploads/2011/10/Creepy-Eye-Following-Pictures.jpg" alt="" width="420" height="560" /></a></p>
<p><a  href="http://filmmakeriq.com/wp-content/uploads/2011/10/Gathering-the-Stuff.jpg" class="thickbox no_icon" rel="gallery-9080" title="Gathering-the-Stuff"><img class="aligncenter size-full wp-image-9082" title="Gathering-the-Stuff" src="http://filmmakeriq.com/wp-content/uploads/2011/10/Gathering-the-Stuff.jpg" alt="" width="500" height="375" /></a></p>
<p><a  href="http://filmmakeriq.com/wp-content/uploads/2011/10/Blending.jpg" class="thickbox no_icon" rel="gallery-9080" title="Blending"><img class="aligncenter size-full wp-image-9081" title="Blending" src="http://filmmakeriq.com/wp-content/uploads/2011/10/Blending.jpg" alt="" width="500" height="375" /></a></p>
]]></content:encoded>
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		<title>An Extraordinary Sci-Fi Prop Gun &#8211; Step by Step</title>
		<link>http://filmmakeriq.com/2011/09/an-extraordinary-sci-fi-prop-gun-step-by-step/</link>
		<comments>http://filmmakeriq.com/2011/09/an-extraordinary-sci-fi-prop-gun-step-by-step/#comments</comments>
		<pubDate>Thu, 01 Sep 2011 09:15:06 +0000</pubDate>
		<dc:creator>John P. Hess</dc:creator>
				<category><![CDATA[Effects and Stunts]]></category>
		<category><![CDATA[Production Design]]></category>
		<category><![CDATA[Harrison Krix]]></category>
		<category><![CDATA[Mass Effects]]></category>
		<category><![CDATA[Props]]></category>
		<category><![CDATA[Special Effects]]></category>
		<category><![CDATA[Volpin Props]]></category>

		<guid isPermaLink="false">http://filmmakeriq.com/?p=8630</guid>
		<description><![CDATA[Harrison Krix of Volpin Props goes through the painstaking step-by-step process he used to create the N7 Rifle for video game producer Bioware for the next installment of their popular franchise: Mass Effect 3.
]]></description>
			<content:encoded><![CDATA[<p>Harrison Krix of Volpin Props goes through the painstaking step-by-step process he used to create the N7 Rifle for video game producer Bioware for the next installment of their popular franchise: Mass Effect 3.</p>
<p><a  href="http://filmmakeriq.com/wp-content/uploads/2011/09/masseffectwood.jpg" class="thickbox no_icon" rel="gallery-8630" title=""><img src="http://filmmakeriq.com/wp-content/uploads/2011/09/masseffectwood-600x450.jpg" alt="" title="masseffectwood" width="600" height="450" class="aligncenter size-large wp-image-8632" /></a></p>
<blockquote><p><a  href="http://volpinprops.blogspot.com/2011/07/n7-rifle-mass-effect-3.html">&#8230;This is the N7 rifle (which, at the time of this writing, I don&#8217;t think has even been formally announced yet!) It&#8217;s an Assault Rifle which takes cues from the weapons included in the collector&#8217;s edition of Mass Effect 3. Its style mirrors the already-announced N7 pistol, shotgun, sniper rifle and SMG.</a></p>
<p><strong>— Volpin Props | <a  href="http://volpinprops.blogspot.com/2011/07/n7-rifle-mass-effect-3.html">Read The Full Article</a></strong></p></blockquote>
<p>Timelapse of the weathering stage of a similar gun:<br />
<iframe width="612" height="489" src="http://www.youtube.com/embed/nM9k7o0_wnI" frameborder="0" allowfullscreen></iframe></p>
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		<item>
		<title>DIY Briefcase of Prop Money</title>
		<link>http://filmmakeriq.com/2011/08/diy-briefcase-of-prop-money/</link>
		<comments>http://filmmakeriq.com/2011/08/diy-briefcase-of-prop-money/#comments</comments>
		<pubDate>Tue, 16 Aug 2011 09:10:47 +0000</pubDate>
		<dc:creator>Dennis</dc:creator>
				<category><![CDATA[Production Design]]></category>
		<category><![CDATA[Indy Mogul]]></category>
		<category><![CDATA[Production]]></category>
		<category><![CDATA[Props]]></category>
		<category><![CDATA[Video]]></category>

		<guid isPermaLink="false">http://filmmakeriq.com/?p=8299</guid>
		<description><![CDATA[Do you need some money?  Do you need A LOT of money?  How about a briefcase FULL of prop movie cash to enhance your crime film or action-thriller?  Indy Mogul is here to show you how to make some amazing looking screen ready movie cash.]]></description>
			<content:encoded><![CDATA[<p>Do you need some money?  Do you need A LOT of money?  How about a briefcase FULL of prop movie cash to enhance your crime film or action-thriller?  Indy Mogul is here to show you how to make some amazing looking screen ready movie cash.</p>
<p><iframe width="612" height="378" src="http://www.youtube.com/embed/k_u7SQUBbIs" frameborder="0" allowfullscreen></iframe></p>
]]></content:encoded>
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		<item>
		<title>DIY Realistic Corpse from a Cheap Plastic Skeleton</title>
		<link>http://filmmakeriq.com/2011/08/diy-realistic-corpse-from-a-cheap-plastic-skeleton/</link>
		<comments>http://filmmakeriq.com/2011/08/diy-realistic-corpse-from-a-cheap-plastic-skeleton/#comments</comments>
		<pubDate>Mon, 08 Aug 2011 09:10:09 +0000</pubDate>
		<dc:creator>Dennis</dc:creator>
				<category><![CDATA[Effects and Stunts]]></category>
		<category><![CDATA[Production Design]]></category>
		<category><![CDATA[DIY]]></category>
		<category><![CDATA[Horror]]></category>
		<category><![CDATA[Production]]></category>
		<category><![CDATA[Video]]></category>

		<guid isPermaLink="false">http://filmmakeriq.com/?p=8177</guid>
		<description><![CDATA[I must admit "corpsing" was not a term I was familiar with until I stumbled across this video, but thank god there is now a easier cheaper way of doing it.]]></description>
			<content:encoded><![CDATA[<p>I must admit &#8220;corpsing&#8221; was not a term I was familiar with until I stumbled across this video, but thank god there is now a easier cheaper way of doing it.</p>
<p><iframe width="612" height="489" src="http://www.youtube.com/embed/69p2EyS-5qk" frameborder="0" allowfullscreen></iframe></p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>THE SHINING: The Psychology of Set Design</title>
		<link>http://filmmakeriq.com/2011/07/the-shining-the-psychology-of-set-design/</link>
		<comments>http://filmmakeriq.com/2011/07/the-shining-the-psychology-of-set-design/#comments</comments>
		<pubDate>Wed, 20 Jul 2011 09:00:57 +0000</pubDate>
		<dc:creator>Dennis</dc:creator>
				<category><![CDATA[Production Design]]></category>
		<category><![CDATA[Production]]></category>
		<category><![CDATA[Stanley Kubrick]]></category>
		<category><![CDATA[The Shining]]></category>
		<category><![CDATA[Video]]></category>

		<guid isPermaLink="false">http://filmmakeriq.com/?p=7984</guid>
		<description><![CDATA[How Stanley Kubrick used Escher-styled spacial awareness &#038; set design anomalies to disorientate viewers of his horror classic.]]></description>
			<content:encoded><![CDATA[<p>How Stanley Kubrick used <a  href="http://en.wikipedia.org/wiki/M._C._Escher">Escher-styled</a> spacial awareness &#038; set design anomalies to disorientate viewers of his horror classic. Written, narrated and edited by <a  href="http://www.youtube.com/user/robag88">Rob Ager</a>.</p>
<p><iframe width="612" height="489" src="http://www.youtube.com/embed/0sUIxXCCFWw" frameborder="0" allowfullscreen></iframe></p>
<p><iframe width="612" height="489" src="http://www.youtube.com/embed/IfJ8rK7eJeQ" frameborder="0" allowfullscreen></iframe></p>
]]></content:encoded>
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		<slash:comments>2</slash:comments>
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		<item>
		<title>Timelapse &#8211; Eight Hours on a DIY Film set in 221 seconds</title>
		<link>http://filmmakeriq.com/2011/07/timelapse-a-day-on-a-diy-film-set-in-221-seconds/</link>
		<comments>http://filmmakeriq.com/2011/07/timelapse-a-day-on-a-diy-film-set-in-221-seconds/#comments</comments>
		<pubDate>Fri, 08 Jul 2011 09:30:36 +0000</pubDate>
		<dc:creator>John P. Hess</dc:creator>
				<category><![CDATA[General Production]]></category>
		<category><![CDATA[Production Design]]></category>
		<category><![CDATA[Behind the Scenes]]></category>
		<category><![CDATA[DIY]]></category>
		<category><![CDATA[Lighting Design]]></category>
		<category><![CDATA[Production]]></category>
		<category><![CDATA[Treachery in Three Dimensions]]></category>
		<category><![CDATA[Video]]></category>

		<guid isPermaLink="false">http://filmmakeriq.com/?p=7838</guid>
		<description><![CDATA[John Hess gives us a timelapse behind the scenes look at "Treachery in Three Dimensions" shot mostly in his garage studio.]]></description>
			<content:encoded><![CDATA[<p>When I was doing the prep work for &#8220;<a  href="http://filmmakeriq.com/groups/the-shorts-workshop/forum/topic/on-the-set-of-treachery-in-three-dimensions/">Treachery in Three Dimensions</a>&#8221; &#8211; I figured out a way of shooting the two major scenes inside my garage using a couple of flats and a fake desk that I had built for previous projects. Since all the action was to take place in one area, I decided to mount my Sony EX1 and run a timelapse of the entire production day:</p>
<p><iframe src="http://player.vimeo.com/video/26133961?title=0&amp;byline=0&amp;portrait=0&amp;" width="612" height="344" frameborder="0"></iframe></p>
<p>You can see us frequently opening and shutting the garage door &#8211; the day was getting hot and the mix of lights and fog machine was becoming quite uncomfortable at times. I have edited out most of the breaks and retakes&#8230; but if you want to see the entire timelapse in raw form sped up to about 100x real speed here it is:</p>
<p><iframe src="http://player.vimeo.com/video/26134961?title=0&amp;byline=0&amp;portrait=0&amp;" width="612" height="344" frameborder="0"></iframe></p>
<p>Here&#8217;s a timelapse of the day before the shoot where I prepped the first shot:<br />
<iframe src="http://player.vimeo.com/video/25578738?title=0&amp;byline=0&amp;portrait=0&amp;" width="612" height="344" frameborder="0"></iframe> </p>
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