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Philip Bloom Reviews Canon 5d Mk III

Posted on April 5, 2012 in Cinematography | No Comments

Philip Bloom puts the latest Canon 5d iteration to the test in the islands of New Zealand.

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Canon 5d MkII & III Side by Side

Posted on April 5, 2012 in Cinematography | 1 Comment

Nathan Lee Bush from Adorama TV post a side by side comparison of the 5d MkII and MkIII comparing things like Moire, Rolling Shutter, Low Light Capabilities and Dynamic Range.

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First Look at the Phantom Miro M320S High Speed Camera

Posted on April 5, 2012 in Cinematography | No Comments

The Phantom Miro M320S is the latest compact high speed camera capable of shooting up to 1500 frames per second at 1920×1080 and has the form factor of a standard prosumer camera. Jamie Alec from Abel Cine gives a quick tour of the new camera.

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Puppeteering Teenage Mutant Ninja Turtles from 1992

Posted on April 4, 2012 in Effects and Stunts | No Comments

The third installment of the 90s Teenage Mutant Ninja Turtles franchise saw All Effects Company taking over special effects duties from Jim Henson’s Creature shop. In this rare behind the scenes footage, a puppeteer demonstrates the complex hand controls for operating the facial expressions.

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Canon 5d Crash Cam Reel

Posted on April 4, 2012 in Cinematography, Effects and Stunts | No Comments

Vashi Nedomansky put together a sizzle reel of Canon 5d MkII cameras being used as Crash Cam in various productions as shot by Shane Hurlbut.

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SAG and AFTRA merge to become one Über-Union

Posted on March 31, 2012 in Acting, Filmmaking 360 | 1 Comment

The vote is in – members of the Screen Actor’s Guild (SAG) and the American Federation of Television and Radio Artists (AFTRA) voted overwhelmingly to combine creating the largest Hollywood entertainment union.

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Michael Caine on “Acting in Film”

Posted on March 29, 2012 in Acting | 2 Comments

In 1987, as part of a British series on acting, Michael Caine conducted a Workshop where he teaches the art of movie acting to five young actors, who perform scenes from Alfie, Deathtrap and Educating Rita.

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Shooting The Crazy Chicken with a C300

Posted on March 28, 2012 in Cinematography, Lighting | No Comments

Shane Hurlbut blogs about his experience shooting a round of spots for El Pollo Loco using the Canon C300.

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How to Shoot a Wedding Video

Posted on March 28, 2012 in General Production | 1 Comment

There’s money in people getting hitched. But the wedding video can be intimidating to someone who doesn’t have a lot of experience. The Vimeo staff put together a great resource for budding wedding videographers.

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DIY Dishpan Light

Posted on March 28, 2012 in Lighting | 2 Comments

Griffin Hammond crafts a unique DIY lighting solution for $86, using hardware store parts, and eight 100-watt-equivalent compact fluorescent (CFL) bulbs.

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Profile of Mad Men’s Cinematographer, Chris Manley

Posted on March 28, 2012 in Cinematography, Interviews | No Comments

Allentown’s Morning Call profiles their hometown hero Chris Manley who is responsible for creating the beautifully retro look of AMC’s hit show, “Mad Men”.

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Old Meets New – Modding a 90-year-old Camera to work with the 5D

Posted on March 24, 2012 in Cinematography | No Comments

Jason Bognacki modified a 90-year-old Piccolette Contessa-Nettel camera with Bellow lens to work on his Canon 5d MkII.

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Behind the Scenes of Anthony Bourdain’s “No Reservations”

Posted on March 21, 2012 in General Production | 2 Comments

The crew behind Anthony Bourdain’s “No Reservation”, a globe trotting show focusing on some of the more exotic food from all over the planet, opens up about what it takes to shoot and put together this show for the Travel Channel.

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Controlling the Depth of Field with the Canon C300

Posted on March 21, 2012 in Cinematography | No Comments

Mitch Gross from Abel Cine demonstrates how to control the Depth of Field by adjusting the ISO setting and using the Canon C300’s internal ND Filter. These techniques are applicable to all large format cameras including HDSLRs.

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Guide to using Nikon Nikkor Lenses on your DSLR

Posted on March 21, 2012 in Cinematography | No Comments

Chris Pike explores the cheaper but incredibly effective use of Nikon Prime Lenses for your DSLR.

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