Posted on September 28, 2009 in Cinematography | No Comments
As soon as it’s release in China, Final release Canon 7D footage is hitting the net:
…So here is my first attempt at filming with a production Canon Eos7D just one hour after receiving it from my local camera store. Starting at 10pm I spent about 2 hours in total filming this in the Nanluoguxiang Hutong [...]
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Posted on September 25, 2009 in Cinematography | No Comments
Philip Bloom tackles the big question – which Canon DSL is better?
…HOW many emails have I had asking me this? Oh and I will be referring to the 5dmkII as the 5d throughout this article as you all know what I am talking about!
I have had the 5d since late April/ Early May and [...]
Posted on September 23, 2009 in Cinematography | 6 Comments
By David Speranza
Intruders have entered the world of video. They’re small, they’re stealthy, and they offer the biggest bang for the buck since the Alaska Purchase. We’re talking, of course, about digital SLRs–specifically those that shoot high-definition, progressive video.
These hybrid interlopers, known by some as “VSLRs,” are wielding their swollen sensors and 35mm optics like [...]
Posted on September 22, 2009 in Cinematography | No Comments
Art Adams compares the Red camera’s color capabilities to the Sony EX3.
…Any camera looks good in a vacuum. Come see how the RED looks against itself and in comparison to a Sony EX3.
Recently I shot some DSC chart footage using a RED with Build 20. The goal was to look for color crossover issues [...]
Posted on September 9, 2009 in Cinematography | 4 Comments
How to build a DIY track dolly to create smooth motion, pans and actor tracks. Don’t spend thousands, this cheap solution is easy to do. Also a simple audio secret from the pros that will make any video sound better.
VIA: filmriot
Posted on August 18, 2009 in Cinematography | 4 Comments
24p is often sold as a magical button that will transform video into film. It won’t. 24p is merely one small and relatively unimportant part of “The Film Look” and this video graphically presents the definitive argument proving that 24p video doesn’t automatically look like film… but it also makes a decisive argument (or two) [...]
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Posted on August 10, 2009 in Cinematography, Featured | 19 Comments
How to pick a Professional Camera
by “Gospel” John Hess
The term “professional camera” is very subjective term. As technology continually improves, the line in quality between consumer cameras and professional cameras gets increasingly thin. But as any serious filmmaker/videographer will tell you, the jump to a professional level camera comes with huge improvement in the amount [...]
Posted on August 4, 2009 in Cinematography | No Comments
Art Adams shares his first time experience with the still camera turned video camera, the popular and somewhat controversial Canon 5D MkII.
…The Canon 5D is a cinematic nightmare. In movie mode it’s hard to see focus, difficult to set exposure, and it doesn’t show you exactly what you’re getting. It records to heavily compressed 8-bit [...]
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Posted on August 3, 2009 in Cinematography | 1 Comment
By Ron Seifried and Craig Rosenzweig
Every image tells a story. The subjects, colors, and composition of an image contain a wealth of information. Even if we removed these attributes, a digital image still retains vital information necessary for any video editor. The following article covers the primary terminology required to understand the wide range of [...]
Posted on August 3, 2009 in Cinematography | 1 Comment
Breakdown of Video Camera Batteries including length of use and power consumption
By Jack Fettman
A lot goes into the preparations of any video production. Prior to the day of production, a professional videographer should foresee what he or she will require to be prepared on set, including camcorder(s) and all other accessories. While filmmakers pay a [...]
Posted on August 3, 2009 in Cinematography | 2 Comments
“How do I make video look like film?” This seemingly innocent question can provoke some of the most heated arguments you’ll ever overhear between professionals. Technically speaking, there are a number of distinctions between the formats, some of which can be negated by today’s crop of camcorders that offer increased dynamic range, better color and [...]
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Posted on July 30, 2009 in Cinematography | 1 Comment
By Jack Fettman
Audiences can feel they’re riding sidecar with the videographer in every scene when special attention is given to camcorder supports and stabilization systems. In keeping pace with the action, a handheld camera stabilizing system integrates the camera’s movement with the operator’s ergonomics in a graceful transfer of inertia. Camcorder supports and stabilization systems [...]
Posted on July 30, 2009 in Cinematography | No Comments
By Antonio Tibaldi
Film director Antonio Tibaldi takes a look at the Chrosziel AC-450-EX1K2 Matte Box with French Flag (and optional side-wings) for the Sony PMW-EX1, and at a selection of Tiffen 4×4 and 4×5.650 filters.
Antonio follows Lauren hand-holding the EX1 with Chrosziel AC-450-EX1K2.
This review is based on a series of tests, conducted in a [...]
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Posted on July 28, 2009 in Cinematography | No Comments
In this brief How-to, Rick shows you how he makes daytime-shot footage look like it was filmed at night.
VIA: rickvanman
Posted on July 28, 2009 in Cinematography | 2 Comments
This video shows you how to build a cheap DIY Snorricam for all your filmmaking needs. Darren Aronofsky and Martin Scorsese have famously used the Snorricam in their films and now you can, too.
VIA: indymogul
