Posted on May 23, 2012 in Cinematography | No Comments
Make up artists around the world just grunted angrily. The techies in Japan just pushed the boundaries of Ultra-High Definition with this demonstration of a compact 8K (7680×4320) camera that can actually utilize still camera glass.
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Posted on May 23, 2012 in Production Design | No Comments
Want a durable backdrop that’s stronger than paper and won’t wrinkle like cloth? Try stopping by your local hardware store and buying up that ugly vinyl flooring that’s in the cheap bin.
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Posted on May 23, 2012 in Lighting | No Comments
So often when discussing the three point lighting basics we place the key light (the brightest and most important light) to our subject’s front and offset by 30-45 degrees. But a lot of interesting and naturalistic compositions can be obtained by moving the key further to the side or even behind the subject.
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Posted on May 22, 2012 in General Production | 1 Comment
Go behind the scenes of “Video Game High School” – A feature length web series mixing real life and First Person shooters. From directors Brandon Laatsch and Freddie Wong.
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Posted on May 22, 2012 in Cinematography | No Comments
Enough of these fancy-pants digital cameras! Sam Dodge gives us a tour of a historically significant antique motion picture studio camera. Originally purchased by Thomas Ince for use at Thomas Ince Studios. February 23, 1918.
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Posted on May 21, 2012 in General Production | No Comments
Tired of the one eye strain of traditional viewfinders? Try the Magnifty LCD Magnifier – just don’t stand with your back to the sun.
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Posted on May 21, 2012 in Cinematography | No Comments
John Hess recounts how he shot the solar eclipse with his Canon 5d and gives some tips on how to shoot the next solar event.
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Posted on May 17, 2012 in Lighting | 3 Comments
StillMotion demonstrates three lighting set ups for different moods and how and why they used the lights they did.
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Posted on May 17, 2012 in Directing | No Comments
If you’re looking for a studio quality, I can tell you I don’t have money. But what I do have are a very particular set of skills. Skills I have acquired over a very long career. Skills that make me a nightmare for people like you.
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Posted on May 15, 2012 in Cinematography | 1 Comment
How durable is the Canon 7d? DigitalRev TV dares to put the question to the test by hitting it with a car, dropping it down some steps on a wheelchair, freezing it, soaking it, and setting fire to it.
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Posted on May 15, 2012 in Effects and Stunts | No Comments
The DakaKin team shows you how to create the best Helmetcam ever.
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Posted on May 15, 2012 in Cinematography, General Production | 1 Comment
Tilt shit adapters can be pretty pricey but Joe Murphy offers up an intriguing DIY solution – printing one up with a 3d Printer.
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Posted on May 15, 2012 in Cinematography | No Comments
It can be as simple as point and shoot but there are a wealth of things your DSLR can do beyond that. Here are some helpful tips to shooting better photos (and video).
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Posted on May 14, 2012 in Directing, Interviews | 1 Comment
Film directors Quentin Tarantino (‘Inglourious Basterds’). Peter Jackson (‘The Lovely Bones’), James Cameron (‘Avatar’), Kathryn Bigelow (‘The Hurt Locker’), Jason Reitman (‘Up in the Air’), and Lee Daniels (‘Precious’) talk about the toughest scenes they’ve had to film for a movie.
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Posted on May 14, 2012 in Directing | No Comments
J. Ott asks for a second take and explores why you should almost always shoot a second take even if everything is perfect the first time around.
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