You are browsing the archive for Digital Effects.

Create an Compass Gimbal in After Effects

Posted on February 3, 2012 in Digital Effects | No Comments

This tutorial by ShortFormVidoes demonstrates how to create a Compass Gimbal that you would find in an aircraft using After Effect’s built in effects.

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Tracking and Rotoscoping in Mocha Pro

Posted on January 31, 2012 in Digital Effects | 1 Comment

Vimeo user Peter Bohush demonstrates how he uses the Pro version of Mocha to track and rotoscope an actor for a special effects shot in his film, Broken Spirits.

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Create Fireworks in After Effects without Plugins

Posted on January 31, 2012 in Digital Effects | 1 Comment

Using only stock effects in After Effects, Vimeo user Flomotion shows you how to create a fireworks effect with a fractal noise and a dash of CC Flo Motion.

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What is Motion Design?

Posted on January 27, 2012 in Digital Effects | 1 Comment

This video from Motion Design Plus takes a look at the growth of Motion Design throughout the century with the ultimate aim of creating the First exhibition center dedicated to Motion Design in Paris, France.

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33 Jaw-Dropping VFX Breakdowns from Television

Posted on January 25, 2012 in Digital Effects, Effects and Stunts, Featured | 1 Comment

Television Programs have grown to become major cultural events in our culture. And with the availability of technological magic, visual effects for the original “boob-tube” can now match almost anything being seen on the silver screen.

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7 Tips for HD Color Correction and DSLR Color Correction

Posted on January 20, 2012 in Digital Effects | 1 Comment

Vashi Nedomansky a few professional tips on how to color correct footage for evenness and then how to color grade to add visual punch and style.

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Making Dubstep Eyebrows

Posted on January 13, 2012 in Digital Effects | No Comments

Don’t have this amazing funny talent to make your eyebrows dance?

Worry not. The folks at VFXbro and Final Cut Kings show you how a little bit of After Effects Trickery can have your eyebrows Dubstepping in no time. (Getting 22 million YouTube hits not included in the tutorial).
The Effect:

The Tutorial:

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Making a 3d Logo with Cinema 4d and After Effects

Posted on January 10, 2012 in Digital Effects | No Comments

Nick Campbell demonstrates how to create a 3d logo inside Cinema 4d and composite it with real life footage in After Effects.

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Creating the Impossible Mirror Shot from CONTACT

Posted on January 9, 2012 in Digital Effects, General Production | 1 Comment

In this DVD audio commentary for the movie Contact, Robert Zemeckis discusses how they created the impossible mirror effects shot.

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Film Riot Shows How to Achieve the “Grindhouse” Look

Posted on January 6, 2012 in Digital Effects | No Comments

Tired of looking at pristine noiseless images created by today’s super-cameras… Ryan Connolly of Film Riot shows you how “cheese” up your footage with flicker and scratches inside After Effects:

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How to Create a Dr. Who Space-Time Vortex

Posted on January 4, 2012 in Digital Effects | No Comments

We’ll save the quantum tunneling lecture for another time – here’s a way to fake the a Space-Time Vortex a al Dr. Who using After Effects, Red Giant’s Trapcode Particular and Shine.
Via VideoCreative.org

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Create Intricate Wipes with Track Mattes (IQ Tutorial)

Posted on December 23, 2011 in Digital Effects, Editing | No Comments

Add a little extra pizzaz with this basic tutorial demonstrating how to create intricate and mesmerizing wipes in Adobe After Effects and applying them to footage in Adobe Premiere. CS5.5 used for both programs but this technique can be used on older versions of the software.

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Coloring with The New Adobe Speedgrade

Posted on December 22, 2011 in Digital Effects | No Comments

Acquired in September of 2011, Adobe will be integrating Iridas Speedgrade sooner or later into the Creative Suite. Colin smith covers some of the basics in his show “No Stupid Questions”

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Coloring The Girl with the Dragon Tattoo

Posted on December 21, 2011 in Cinematography, Digital Effects | No Comments

This video by Dolby Laboratories gives you to the behind the scenes look at how Michael Cioni and the team at Light Iron Digital used Dolby Reference Monitors for Coloring “The Girl with the Dragon Tattoo.”

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Maintaining Good After Effects Project Organization and Workflow

Posted on December 20, 2011 in Digital Effects | No Comments

In this tutorial, Motion Revolver covers how to organize your projects on your computer and within After Effects. By organizing your After Effects projects properly, you’ll likely save yourself and others countless hours of confusion.

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