Debuting early in 2011, the dual protocol Thunderbolt standard promised dramatically improved transfer performance between peripheral devices and even the ability to daisy chain up to six devices form one port. So why, two years later, is it still considered a marginal technology? Andy Stout reports As the name suggests, Thunderbolt is fast, very fast, Read MoreRead More
This case study of Avid® Rough Cut explores the studio of J.J. Abrams’ production company Bad Robot and their offices in Santa Monica, California as they work on the Star Trek SequelRead More
The Blackmagic Cinema Camera is starting to get the kinks ironed out and rolling out in mass. But are you ready to shoot with this new format? Ryan E. Walters goes through some of the gotchas with the Blackmagic Cinema Camera workflow. Preparation Prior To Being On Set: Before you even take a step on Read MoreRead More
Are your composition elements becoming too effects heavy for the computer to handle. This tutorial for pre-rendering shows you how to compress the layers you are happy with so you can work more quickly and efficiently.Read More
Has a director ever asked you if you can fix a few bad shots? Have you struggled to make a final sequence look better? Steve Hullfish brought the art of color correction from the dark arts to the light of day in 2002 with his book Color Correction for Digital Video: Using Desktop Tools to Read MoreRead More
Colin Smith and Adobe TV discusses how to move project from an Apple based environment including Final Cut and into a Windows based Adobe environment.Read More
Cooper Kingston teaches you how to use this revolutionary editing software.Read More
How the French and American New Wave changed the doctrine of invisible editing. From the documentary The Cutting Edge: The Magic of Movie Editing.Read More
Bill Warner presentation of the 1989 AVID1 Media Composer.Read More
Want to learn how to color correct your videos for both practical and stylistic reasons? In this episode of “Bammo Basics,” Ryan shows you the beginner’s tips and tricks so you can start color correcting your videos.Read More
FX released three behind the scenes videos on the making of “American Horror Story: Asylum” Editing Props and Make-Up The Character of PepperRead More
Shooting on RED Epics at Red Studios in LA, all the DIT work and dailies of the film “Hitchcock” were handled by one operator working on a cart that housed two 12 core Tower Macs fitted with three Red Rocket cards and 70 terabytes of hard drive space. While the film is both entertaining and Read MoreRead More
