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How Do You Interview Subjects?

Editors Jim Hession, Lucia Small, and Bryan Storkel explore the ways they go about conducting interviews for documentaries. An audience member asked the panel how they interviewed people and whether they prepped them beforehand, adding “Whenever I interview people, they’re always really bad talking to the camera.” Storkel: I try and do as little prep as Read MoreRead More

Wes Anderson’s Colour Palettes

Take a look at the retro color palette of the auteur filmmaker: Wes Anderson. The fictional worlds evoked in film by director Wes Anderson have such a precise colouration – the very particular pastel-hues that paint the skies, drench the buildings and dress the characters, render Anderson’s microcosms almost dream-like. The hazy-hued lens through which Read MoreRead More

Great Filmmakers and their take On Filmmaking and Style

From Welles and Godard to Tarkovsky and Bresson, On Filmmaking and Style shares a collection of insight from filmmakers who emphasize an essential quality of film, the filmmaker’s style. Vision, imagination, and an awareness of cinema’s audio-visual language are at the heart of the filmmaker’s style, proving that the greatest cinematic tool lies within the filmmaker him/herself. Read MoreRead More

Exposure: Wally Pfister on Transitioning from DP to Director

Kevin Martin interveiws Wally Pfister, a long time collaborator with Christopher Nolan on the Batman Reboot and Inception, about his recent turn in the director’s chair with Transcendance.  As a strong right hand to filmmaker Christopher Nolan for more than a decade, director of photography Wally Pfister, ASC, garnered considerable notice and accolades, culminating with an Read MoreRead More

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