OSCARS Q&A: Kathleen Kennedy

AwardsLine interviews Kathleen Kennedy, long time producer on many of Steven Spielberg’s films, on what it took to get Lincoln made.

AwardsLine: Every film has its own set of rules, but what consistently surprises you or keeps you interested when you’re starting a new project?

Kathleen Kennedy: My tastes tend to be eclectic, so if I’m working onsomething that’s a small budget where the challenge is in all the nuances of trying to literally get it made, that presents its own set of challenges; if I’m making a big effects-driven studio picture, then it’s really more of managing all the moving parts. For something like Lincoln, we knew that this was going to be a difficult movie to get made, even if Steven Spielberg was directing it. And as you can see on the screen, we had many different partners just in trying to get the movie financed.

AwardsLine: Can you explain how that all came together?

Kennedy: In this day and age, you say that you’re doing a movie about Abraham Lincoln, and nobody necessarily sees the opportunity for making lots of money—it’s not like doing Jurassic Park. So that’s something we knew going in, and we began to explore the options of who might step in and share the risk of making the film. It ended up taking almost a year before we put together the necessary partners. Stacey Snider was very involved at DreamWorks in really pulling most of that together while we were making War Horse. And when we came back, we went immediately into prepping Lincoln. I had already had many conversations with everybody in Virginia about being able to use the government buildings in Richmond while they were out of session. That, I knew early on, was going to dictate our shooting schedule. That gave us a goal in terms of knowing when we had to have the financial partners in place.

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