Multi-million dollar special effects budgets can make anything imaginable – but for the limited budget filmmaker, we must rely on creativity and tricks to sell our special effects.
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Top 7 Articles of the Week
Sony sent over a pre-production FS700 (the one that shoots slo-mo) to Philip Bloom to play with. Here’s his report.
The common complaint of the indie filmmaker is the lack of something – but creative filmmaker will turn the tables and dance around the obstacles.
Michael S. Chandler exposes what happens on a Tech Scout in preparation for a film production.
Keith Link runs through the memorable Title Sequences from David Fincher’s films.
Electrical wiring can be intimidating to a DIYer (and it should be because it could potentially be very dangerous). Here’s a DIY softlight you can build that doesn’t require anything more than off the shelf electrical components.
Go behind the scenes of Hugo and Larry McConkey steadicam work.
The final shot: